Goodnight Desdemona (Good Morning Juliet) is a beloved feminist revisioning of two of Shakespeare’s most well-known plays, Othello and Romeo & Juliet. Written by Canadian playwright Ann-Marie MacDonald, the play explores the hypothetical question: what if Shakespeare’s tragedies were actually intended to be comedies? To learn the answer to this question, please join us November 16-25 in the Joseph G. Green Theatre to find out.
Sat, Nov. 16 (preview 1) @ 7:30 pm
Sun. Nov. 17 (preview 2) @ 7:30 pm
Tues. Nov. 19 (Opening) @ 7:30 pm
Wed. Nov. 20 @ 1:00 pm
Wed. Nov. 20 (Relaxed Performance) @ 7:30 pm –Plan your visit
Thurs. Nov. 21@ 7:30 pm
Fri. Nov. 22 @ 1:00 pm
Fri. Nov. 22 @ 7:30pm
Sat. Nov. 23 @ 2:00 pm
Tickets $7- 20
Online Box Office or call 416-736-5888
La Soledad (dir. Jorge Thielen Armand, 2016)
Nat Taylor Tuesdays and Cinema Politica Present:La Soledad (dir. Jorge Thielen Armand, 2016). Please join us for a free screening and question and answer period with Rodrigo Michelangeli (co-writer & cinematographer)
Tuesday, November 26 | 12:45 – 2:30 PM
Nat Taylor Cinema (N102 Ross Building), York University
FREE + open to the public!
Location: Nat Taylor Cinema (N107 Ross Building)
Quantopia: The Evolution of the Internet with Paul D. Miller aka DJ Spooky and Kiera Boult
The Department of Cinema and Media Arts (CMA) is proud to present Paul D. Miller aka DJ Spooky and Kiera Boult in conversation on Quantopia: The Evolution of the Internet
Date: November 27th, 3-5pm
Place: 206 (ACW) Accolade West Building
Reception: 024 (CFA) Joan & Martin Goldfarb Centre for Fine Arts, following the event
Paul D. Miller aka DJ Spooky will be speaking about Quantopia: The Evolution of the Internet, his musical investigation of the Internet, from its birth as ARPANET in 1969 (the same year as CMA), to its impact on our society over the last 50 years, particularly in terms of connectivity, quantification, and human rights. Miller is a composer, multimedia artist, and writer whose work immerses audiences in a blend of genres, global culture, and environmental and social issues. He has collaborated with an array of recording artists, including Metallica, Chuck D, Steve Reich, and Yoko Ono. His books include the award-winning Rhythm Science, published by MIT Press in 2004; Sound Unbound, an anthology about digital music and media; The Book of Ice, a visual and acoustic portrait of the Antarctic, and; The Imaginary App, on how apps changed the world.
Kiera Boult is an interdisciplinary artist and performer from Hamilton, based in Toronto. Boult’s practice utilizes camp and comedy to skeptically address issues that surround the role and/or identity of the artist and the institution. In 2019, Boult was the recipient of the Hamilton
Emerging Visual Artist Award. Her work has been exhibited at the Art Gallery of Ontario, the Art Gallery of Hamilton, and Trinity Square Video. She has participated in the Art Gallery of York University’s final Performance Bus, 7a*11D’s 7a*md8 – ON LINE and Life of a Crap Head’s Doored. She holds a BFA in Criticism and Curatorial Practice from OCAD University and is currently Vtape’s Submissions, Collections & Outreach Coordinator.
This event is part of CMA’s 50th year anniversary celebrations, as well as the occasion of the launching of BetaSpace (the new Media Arts Co-Working Space, named after industry parlance for a project that is in the final stages of development and ready for testing). CMA’s first graduating cohort of Media Arts BFA students will also be exhibiting their end of term work in augmented reality, app development, video documentary and fiction, and more!
Lost and Found in Late Capitalism
Sponsored co-presentation with the Department of Cinema & Media Arts, School of the Arts, Media, Performance & Design.
Curated by Shahbaz Khayambashi, Co-Chair, Pleasure Dome.
Date|Time: Friday, December 6, 2019 | 7:30-10:00 PM
Place: Small World Music Centre | 180 Shaw St, Toronto, ON
Cost: $10 General Admission | $5 Member Rate or PWYC
In recent years, with the election of right-wing and fascist politicians around the world, the link between fascism and capitalism has become impossible to ignore. Existing somewhere between apocalypse and parody, the age of late capitalism has brought about dystopian ideals presented to its subjects as standard societal practices. Pleasure Dome’s Lost and Found in Late Capitalism will attempt to speak truth to power by speaking power’s language while capitalism continues to destroy our environment, wage wars on our people, and destroy our social fabric. This program consists of a series of short videos constructed from found footage, coming from a variety of formats, sources, and levels of legality. These videos use footage from Hollywood films, business promotional videos, public domain artefacts and military footage to tell stories of life under the thumb of capitalism. It is through this re-appropriation of the products of capitalism that today’s artists can attempt to come to terms with the struggle of living under an unquestionable dictatorial system.
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Image Credit: Beyond Human, Pete Burkeet (Ohio, USA), 2018.