Mezzo-soprano Krisztina Szabó leads a masterclass with young singers from the classical vocal performance studios of York music faculty members Catherine Robbin, Stephanie Bogle, Norma Burrowes and Karen Rymal.
Observers are welcome at the masterclass, but please use discretion when entering and exiting the hall.
Hungarian-Canadian mezzo-soprano Krisztina Szabó has become highly sought after in both North America and Europe as an artist of supreme musicianship and stagecraft. The Chicago Tribune exclaimed, “Krisztina Szabó stole her every scene with her powerful, mahogany voice and deeply poignant immersion in the empress’ plight” after her performance of Ottavia in L’incoronazione di Poppea. She made her Lincoln Center début as Dorabella in Così fan tutte at the Mostly Mozart Festival where she was praised in the New York Times for being “clear, strong, stately and an endearingly vulnerable Dorabella.” In her hometown of Toronto, Canada, she has been nominated twice for a Dora Award for Outstanding Female Performance.
In the 2017-18 season, Krisztina Szabó will make her Royal Opera and Netherlands Opera débuts in George Benjamin’s new opera, Lessons in Love and Violence. She will also appear as Angel/Marie in Benjamin’s Written on Skin for both Opera Philadelphia and the Holland Festival, and as Dido in both Dido and Aeneas (Purcell) and Aeneas and Dido (James Rolfe) with Toronto Masque Theatre, Toronto. She will appear in concert with Pax Christi Chorale (Bruckner’s Te Deum), Kitchener-Waterloo Symphony (Wagner’s Wesendonck Lieder), Arion Baroque Orchestra (Bach Mass in A Major), Ensemble Contemporain de Montréal (Sokolovic’s Pesma), and she will be soloist in Händel’s Messiah with the Toronto Symphony Orchestra , Newfoundland Symphony Orchestra and Vancouver Early Music. In March 2018, she will début a new song cycle by Jeffrey Ryan with Canadian Art Song Project in recital with pianist, Steven Philcox.
Photo by: Bo Huang