[caption id="attachment_99348" align="aligncenter" width="550"] Rafael Lozano-Hemmer: Open Air, Relational Architecture 19 (2012). Photo: James Ewing[/caption]
Beyond mere decoration, civic spectacle and city branding, media architecture shapes our collective identity through digital place-making, 24-hour architecture, and reanimating public space
The Media Architecture Summit 2016 explores the role of urban screens, interactive media façades, and large-scale public projections in architecture, public art, civic engagement and urban renewal.
Held for the first time in North America, MAS 2016 brings together an international group of artists, designers, architects, scholars, and representatives from the cultural sector and industry, presenting a wide range of projects including context-aware illuminated spaces, architectural projection, animated building facades, and interactive installations inviting spontaneous public performance.
MAS 2016 opens with an evening keynote by internationally acclaimed media artist Rafael Lozano-Hemmer and continues with a day of featured talks and panel discussions, followed by an evening social hosted at InterAccess. The final day of the summit comprises a morning panel at the University of Toronto and afternoon workshops and industry sessions held at OCADU.
[caption id="attachment_99358" align="aligncenter" width="550"] Public Visualization Studio: In The Air Tonight (2014). Photo: Maggie Chan[/caption]
Featured presenters at MAS 2016 include experimental sculptor and architect Philip Beesley (University of Waterloo, Canada); Amahl Hazelton, communications director of Moment Factory (Montreal); media architecture scholar Scott McQuire (University of Melbourne, Australia); and art historian and urban studies scholar Dietrich Neumann (Brown University, USA).
Panelists and workshop presenters include artists/researchers Di Mainstone (UK), Veronika Pauser (Austria), Nathan Whiford (Canada) and Ali Momeni (USA); Isabelle Rousset of Derivative and Mason White & Lola Sheppard of Lateral Office (Toronto); curator/researcher Tanya Toft (Denmark); and Graham Wakefield, Canada Research Chair in Active Information Visualization (York University).
Complementing the summit proceedings, MAS 2016 presents Nuit Talks, a series of conversations and presentations by artists whose large-scale public art installations are featured in this year’s Nuit Blanche Toronto, MAS closes with a curated walk at Nuit Blanche Toronto, one of the world’s largest outdoor dusk-to-dawn art events.
Registration for MAS 2016
General Admission: $90
Students and Underemployed: $50
Registration includes access to the keynote, featured talks, panels, workshops and events.
Nuit Talks are free and open to the public.
The Pass System, directed by York graduate film student Alex Williams, is a powerful documentary that illuminates Canada’s hidden history of racial segregation. The film investigates how, for over 60 years, the Canadian government illegally denied many Indigenous peoples of the prairies the basic freedom to leave government-assigned reserves, and forced them to carry a pass when they did so.
The Pass System is a result of a five year investigation involving extensive, pan-Canadian archival research and elders’ oral history testimony. Cree, Saulteaux, Dene, Ojibwe and Blackfoot elders tell their stories of living under and resisting the pass system, and link their experiences to today’s struggles for Indigenous rights.
[caption id="attachment_99827" align="alignright" width="150"] Alex Williams[/caption]
Williams researched, wrote, shot, directed and produced the film, which is narrated by acclaimed Cree actor and activist Tantoo Cardinal. The Pass System is currently in the running for two 2016 Canadian Screen Awards given by the Academy of Canadian Cinema & Television. It has been nominated for Best History Documentary Program or Series (APTN – Aboriginal Peoples Television Network) and for the Barbara Sears Award for Best Editorial Research.
Following the screening, there will be a panel discussion with Alex Williams, Osgoode Hall Law School/Environmental Studies Professor and Canada Research Chair in Indigenous Environmental Justice Deborah McGregor, Theatre Professor Michael Greyeyes, History Professor Carolyn Podruchny, Education Professor Celia Haig-Brown and Environmental Studies Lecturer Lisa Myers.
Admission is free. All welcome. | Campus Maps & Directions
This event is presented by Cinema Politica York, the Department of Cinema & Media Arts, Graduate Film Student Association, Centre for Aboriginal Students Services, Office of the Vice Provost Academic and OPIRG York.
Painter Sandra Meigs is the featured speaker for the 2017 Goldfarb Lecture in Visual Arts.
Throughout her career Meigs has explored possibilities for painting as a model of the mind, the physical world, and metaphysical thought. She will speak about her use of personal experience as a greater source for universal discovery. In her works throughout the past four decades from “Performance with 20 Dresses” (1974), to “Room for Mystics” (2017), there is a common thread of inquiry into what painting actually is: enchantment with form.
For over 35 years Meigs has created vivid, immersive and enigmatic paintings that combine complex narratives with comic elements. She derives the content of her work from her own personal experiences and develops these to create visual metaphors related to the psyche.
Born in Baltimore in 1953, Meigs studied at the Rhode Island School of Design, the Nova Scotia College of Art and Design (B.F.A. 1975) and Dalhousie University (M.A. 1980). She has lived and worked in Canada since 1973. Recently retired, Meigs has been a dedicated teacher at the University of Victoria for 24 years and has mentored hundreds of visual art students throughout her professorship. She now resides in Hamilton, Ontario.
Admission is free. All welcome.
The Goldfarb Lecture in Visual Arts is made possible through the generous support of Joan and Martin Goldfarb, longstanding benefactors of York University’s Department of Visual Art and Art History and AMPD.
We’re bringing Central Perk to you! Enjoy a tasty beverage, something sweet and a few performances to start off your week. Winters Café is here and we’re providing you with a cozy environment to chill out and listen to a variety of performers: musicians, comedians, playwrights, poets – you name it!
Interested in performing? Email us at firstname.lastname@example.org or drop-in to the Office of the Head (121), or the Junior Common Room (012), Winters College and sign-up. Drop-in performances are also allowed if there are open spots!
It’s getting colder, which means it’s time to get cozy! Keep warm at the second Winters Café next Monday, October 29th. We’re offering warm beverages, sweet treats and board games. Plus, we’ll have live performances from your student peers. Interested in performing yourself? Sign up HERE!
We are excited to bring you a new tradition to celebrate the end of a semester, and another year. The first ever “Winters Frolic” at Winters College, with a theme of “Havana Nights”! A formal dinner party event where Cuban-inspired dinner and drinks will be served along with exciting performances by both musicians and dancers. We will be raffling away fantastic prizes, with all proceeds going towards our Winters College student scholarships and funds. Follow us on Instagram: @WintersCollege for a sneak peek of the big day and the prizes we will be raffling off!
YORK U DEPARTMENT OF CINEMA AND MEDIA ARTS PRESENTS AUTOBIOGRAPHY
Please join us for a screening and discussion with two MFA alumni, Sofia Bohdanowicz & Lesley Chan, discussing the role of auto-bio in their shorts and features, which often collage together ‘homemade’ methods. Followed by a conversation with CMA faculty member Professor Brenda Longfellow.
Date|Time: Tuesday, December 3, 2019 | 12:45 PM
Place: Nat Taylor Cinema | N102 Ross, 4700 Keele St, Toronto, ON
YORK U DEPARTMENT OF CINEMA AND MEDIA ARTS PRESENTS TONDAL’S VISION
with Stephen Broomer in Person
“A film that bombards the senses with color and light … you can do a lot with it, and it will
certainly do a lot with you.” – Michael Sicinski
“A fable and immram, sifted from the cloak and rubble of the Comedy, a vision before Dante. The soul of the knight Tondal, stricken by the excesses of his flesh, quits his body to tour the next world. He is guided by an angel through heaven, hell and limbo. What lessons await him here? To every pleasure there is a cost, for poetry is a kind of poison, and even your angels will get you lost. Angel, tell me, for how long was I dead? Be it true or be it false, it is as the copy was.”
Date|Time: Tuesday, December 3, 2019 | 3:00-5:00 PM
Place: Nat Taylor Cinema | N102 Ross, 4700 Keele St, Toronto, ON