Events

Mar
28
Thu
York University Symphony Orchestra
Mar 28 @ 7:30 pm – 9:00 pm

Professor Mark Chambers conducts the York University Symphony Orchestra. 

Admission: $15 | $10 for students & seniors. 

Box Office: Purchase tickets online or phone

Maps & Directions

Mar
30
Sat
York University Gospel Choir
Mar 30 all-day

The York University Gospel Choir directed by Interim Director, Lisa Toussaint, presents a rafter-raising concert of works by Hezekiah Walker, Edwin Hawkins, Kirk Franklin and other Gospel greats.

The 100+ voice choir is backed by a rhythm section directed by Corey Butler:

Sat. March 30, 7:30 – 9pm

Admission: $15 | $10 students & seniors

Box Office: ampd.yorku.ca/perform/boxoffice | 416-736-5888

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Apr
3
Wed
Music @ Midday: York University Chamber Strings
Apr 3 @ 12:30 pm – 1:30 pm

Matt Brubeck directs the York University Chamber Strings in a concert featuring classical chamber works.

Free admission.

Maps & Directions

chamber strings

York University Chamber Choir
Apr 3 @ 7:30 pm – 9:00 pm

The York University Chamber Choir
Dr. Lisette Canton, Conductor
Edward Moroney, Piano

The choir will be performing works by Bach, Finzi, Lang, LeJeune, Mendelssohn, Paulus, Schütz, and more.

Ticket Admission:$15 adults | $10 students & seniors
Box Office: Purchase tickets online or call 416-736-5888

 

 

 

Sep
30
Mon
X – a collaborative exhibition by Kristen Elizabeth Donoghue-Stanford and Rebecca Garcia Echeverria
Sep 30 – Oct 10 all-day

X is a collaborative exhibition by  Kristen Elizabeth Donoghue-Stanford and Rebecca Garcia Echeverria focused on the theme of femininity and the subversion of the stereotypes that limit it.

Through the exploration of their different and similar experiences, Donoghue-Stanford and Garcia propose to create an abstracted feminine environment that calls upon a shifting perspective of femininity and redefining what it means to exist in the everyday as a woman. The exhibition will exist as a lament to the experiences of women, but also as an expression of gratitude.

(Left) Untitled - Photo Series (Installation View) by Rebecca Garcia Echeverria. (Right) Handheld (Front Detailing), Bronze, 9in x 5 in x 0.3 in by Kristen Elizabeth Donoghue-Stanford

Gallery Hours:

Monday-Thursday, 9am – 4:00pm

Reception Oct 1, 6-8pm

Free admission

Oct
10
Thu
The Department of Dance presents the DIP – Dance Independent Project – Choreographing Indigeneity
Oct 10 all-day

The Department of Dance presents the DIP – Dance Independent Project – Choreographing Indigeneity

Choreographing Indigeneity explores issues of identity and place through dance with faculty, alumni and graduate students. The event will showcase performances, exhibits and presentations featuring Aria Evans, Syreeta Hector, Troy Twigg and Dance Collection Danse.

Curator: Susan Cash
Production Manager: Jennifer Jimenez

Presentations: 10:00 -11:45 a.m., 2:15 – 4:00 p.m.
Open to the public: 6:00 – 8:00 p.m.

Location: McLean Performance Studio, 244 Accolade East Building
Maps & Directions 

Free Admission

Improv Soirée
Oct 10 @ 8:00 pm – 10:00 pm

An evening of improvisation in a participatory “open mic” set-up, hosted by the improve studios of Matt Brubeck.

Performers and observers welcome.

Admission is free.

Oct
21
Mon
The State of Not Knowing – works on paper by Ernesto Hidalgo and Deanna Gisborne
Oct 21 – Oct 31 all-day

[caption id="attachment_101732" align="aligncenter" width="600"]My Body by Deana Gisborne (2019), 43’ x 39.5’, Graphite on Paper My Body by Deana Gisborne (2019), 43’ x 39.5’, Graphite on Paper[/caption]

The State of Not Knowing is an exhibition works on paper by Ernesto Hidalgo (print media) and Deanna Gisborne (painting & drawing).

Artist statement: Ultimately, a search for our complicated identities is at the heart of our work, whether this is manifested by obscuring the body, multiplying form, collapsing into a writhing vortex or creating dream-like worlds where animals and humans intersect. We try to reconcile contradictions in ourselves, made possible through the unbounded language of art. All of this probing of the self-conscious mind is expressed in bodies, trying from all angles to reach that same conclusion and achieve resolution: Who am I, and how can I grasp this ever-evolving self?  This question is, of course, unanswerable, but we continue this cycle indefinitely, because we are human, and we are curious.

 

Gallery Hours:

Monday-Thursday, 9am – 4:00pm

Free admission

[caption id="attachment_101733" align="aligncenter" width="600"]Felt, by Ernest Hidalgo (2019) Screen print on rag paper; mounted on foamcore. 20” x 28” Felt, by Ernest Hidalgo (2019) Screen print on rag paper; mounted on foamcore. 20” x 28”[/caption]

Oct
24
Thu
Faculty Concert Series: Al Henderson Quintet
Oct 24 @ 12:30 pm – 1:30 pm

Jazz bassist, composer and arranger, Al Henderson leads an ensemble of colleagues and friends in a signature performance. The show is part of the Department of Music’s Faculty Spotlight Series, taking place in the Martin Family Lounge at York’s Keele campus.

Joining Henderson onstage are York instructors Richard Whiteman (piano) and Barry Romberg (drums) and guest artists Alex Dean (saxophones) and Pat LaBarbera (saxophones). The concert will feature a selection of Henderson’s original compositions and arrangements.

Henderson has been a seminal force on the Canadian jazz scene for more than 30 years. He has earned critical acclaim and legions of fans as leader of his own bands – the Al Henderson Septet, Quintet and Quartet – and co-founder and co-leader of the groundbreaking group, Time Warp. He has also performed as sideman with many leading jazz artists including Diana Krall, Jane Bunnett, Arnett Cobb, Hank Crawford, Slim Gaillard, Jimmy Knepper and Flip Phillips.

As a composer, Henderson has created a large and distinctive repertoire of original works. More than 60 of his compositions have been recorded by his bands as well as other eminent artists such as Don Pullen, Jane Bunnett, Shox Johnson & the Jive Bombers, Alex Dean and Richard Whiteman. His accolades include the Jazz Report’s Composer of the Year designation and the prestigious SOCAN Award for Original Jazz Composition.“… Al Henderson is the real thing, a composer in the tradition of Duke Ellington and Charles Mingus, whose works have distinctive energy and melodic and harmonic character,” said jazz writer Stuart Broomer (Toronto Life).

 

Admission: Free

Maps & Directions

Oct
25
Fri
DisPerSion Lab presents Doug Van Nort with special guest Anne Bourne
Oct 25 @ 5:30 pm – 7:30 pm

Doug Van Nort with special guest Anne Bourne 

In this on going series Doug Van Nort performs with curated and invited guests.

This first event will feature an electronics and cello duo with Doug Van Nort and longtime friend and collaborator, Anne Bourne.

All are welcome to come and listen in this immersive sonic space.

Oct
28
Mon
Music @ Midday: Classical Instrumental Concert
Oct 28 @ 12:30 pm – 1:30 pm

The Music at Midday series presents a recital featuring student soloists in the classical performance program.

Admission is free. Everyone welcome.

Maps & Directions

 

Nov
4
Mon
Lifelines (Hilda) – solo sculpture and time based art show by Kristen Elizabeth Donoghue-Stanford
Nov 4 – Nov 14 all-day

[caption id="attachment_101740" align="aligncenter" width="700"]Detail from A Lament, by Kristen Elizabeth Donoghue-Stanford, 2019, Acrylic Yarn, 15ft x 5ft x 10ft Detail from A Lament, by Kristen Elizabeth Donoghue-Stanford, 2019, Acrylic Yarn, 15ft x 5ft x 10ft[/caption]

Lifelines (Hilda) is a solo sculpture and time based art installation by Kristen Elizabeth Donoghue-Stanford focused on the theme of lamentation and mourning of someone who is no longer present.

Artist statement: The exhibition will focus around ideas of life, death, loss, and remembrance, interplaying with one another. 87 knitted tubes in neutral colours will be suspended within the gallery space, arranged to create guided pathways and a knitted canvass for video projection.

The installation will be curated in order to showcase a metaphorical image of the lifelines of a particular life; that of a woman named Hilda, whom the footage collected belonged to. 87 knitted tubes will be used within the installation showcasing the number of years Hilda lived until she passed away on January 6th, 2019. The video shows Hilda and her family throughout several years of their lives and will be played on loop throughout the exhibition. A slight distortion will be used in order to hide or blur certain images within the video frame, as well as the projection onto the knitwork will add its own distortion. This is meant to symbolize the memories we don’t always get to keep with us, even when someone has left us.  As one of Hilda’s favourite pastimes and a skill that she passed onto the next generation of her family, the knitwork could not more perfectly summarize the complicated, yet beautiful framework of a life. In this installation we experience the feelings of remembrance and loss and face the concepts of life and death as we witness the lifelines of somebody who is no longer with us through the process of lamenting.  It opens the possibility for reflection and the ability to express gratitude towards such a life.

Gallery Hours:

Monday-Thursday, 9am – 4:00pm

Free admission

Reception: Thursday, November 14, 2019 from 5:30 p.m. – 7:30 p.m.

CineSiege 2019: A Juried Showcase of York Film
Nov 4 @ 7:00 pm – 10:30 pm

Catch a rising wave of electrifying film talent!

Now in its 17th year, CineSiege presents a collection of short films – riveting fiction, cutting-edge alternative works and provocative documentaries – selected by leading lights of Canadian film and media culture.

The films selected for CineSiege 2019 were chosen from a shortlist, culled from 186 productions made last year.

The nominees were reviewed by five jurors: Maya Bankovici, Franci Duran, Stuart Hands, Adina Pintilie and Ravi Srinivasan.

Jurors will be in attendance at CineSiege to introduce the winning films and explain why they were selected.

CineSiege is made possible through the generous support of

Cinespace Toronto   Paradise Theatre


After Party

Immediately following screening (approx. 10:30pm)
The Monarch Tavern
12 Clinton St, Toronto, ON M6J 2N8

Nov
7
Thu
Drum Clinic with John Riley
Nov 7 @ 12:00 pm – 2:00 pm

DRUM CLINIC with JOHN RILEY
Sponsored by the Oscar Peterson Fund

Please join us for a free drum clinic with jazz drummer and educator, John Riley. This event is sponsored by the Oscar Peterson Fund.

JOHN RILEY
John began playing drums at age eight, after receiving a snare drum as a gift. With the support, encouragement and patience of his parents, John and Mary Ann, he played in the school band and began drum lessons with a good local teacher, Tom Sicola. While under Tom’s guidance, he gained control of the snare drum through work on the rudiments and reading. Eventually, he acquired a complete drumset and lessons expanded to include “beats of the day,” coordination and reading studies for the drumset. At age twelve, John began playing in rock bands and heard his first jazz recordings, the soundtrack to The Gene Krupa Story and Max Roach’s Conversation. Two years later, he played his first “professional” gig, which he obtained through an audition played over the telephone. John began studying with Joe Morello in 1971, after meeting him at a drum symposium. John went on to attend the University of North Texas, where he was introduced to a larger world of music and percussion. While at UNT, he played in, toured, and recorded with the famed One O’clock Lab Band. In 1976, he moved to New York City and was soon called to join the Woody Herman Band. Following that great experience, John returned to New York and began freelancing with a wide spectrum of world class musicians including Stan Getz, Milt Jackson, Miles Davis, Dizzy Gillespie, John Scofield, Bob Mintzer, Gary Peacock, Mike Stern, Joe Lovano, the Vanguard Jazz Orchestra, the Carnegie Hall Jazz Band, John Patitucci, Bob Berg, and many others.

John has a Bachelor of Music degree in jazz education from the University of North Texas and a Master of Music in jazz studies from Manhattan School of Music. He is on the faculty of Manhattan School of Music, and Kutztown University, and is an Artist in Residence at Amsterdam Conservatory, Holland. John is also the author of The Art of Bop Drumming, Beyond Bop Drumming, The Jazz Drummer’s Workshop, The Master Drummer DVD, and has taught master classes around the world.

Free Admission.

Faculty Concert Series: Leaving Kansas Compositions by Dorothy de Val
Nov 7 @ 12:30 pm – 1:30 pm

Faculty Concert Series: Leaving Kansas Compositions by Dorothy de Val

Faculty member, pianist and musicologist Dorothy de Val reflects on her twenty years at York with a lighthearted program of original songs and instrumental music.

Dorothy de Val, piano
Paula Arciniega, mezzo soprano
Susanna McCleary, soprano
Anne Lederman, fiddle
Kye Marshall, cello
Patricia Wait, clarinet
Barbara Ackerman, flute

Dorothy de Val is a musicologist and pianist whose research interests include Scots Gaelic song, the first English folksong revival, pianos and pianism, and Haydn reception in England. Particular research interests include early 20th-century collectors and arrangers of folksong, particularly Broadwood and Grainger, and collectors of Gaelic song (Tolmie, Broadwood, Murray and Kennedy-Fraser).

Dr. de Val is the author of In Search of Song: The Life and Times of Lucy Broadwood, published by Ashgate in July 2011. She is a contributor to the Oxford Dictionary of National Biography and many music reference works including The Haydn Companion, and is a regular reviewer for the journal Music and Letters. With Patricia Debly of Brock University she organized a conference on Haydn in 2009, sponsored by York University, SSHRC and The Wirth Institute. She is also a member of the North American British Music Studies Association, whose conference she organized at York in 2008.

Professor de Val’s research extends into the field of dance, focusing on English social dance and Morris dance (especially Mary Neal and the Esperance Club). She co-organized a conference at York on English country dance in the summer of 2010, and performs regularly as pianist for English country dances with her group, Playford’s Pleasure, with a focus on the life and times of Jane Austen. Her most recent project involves performing music from Jane Austen’s own collection, featuring composers such as Pleyel, Sterkel, Storace and Kotzwara.
Dr. de Val has taught at the Royal Academy of Music (London), Oxford Brookes University and the University of Oxford, and served as assistant curator of musical instruments at the Royal College of Music (London). She joined York University’s Department of Music in 1999 and served as Associate Dean in the Faculty of Fine Arts from 2004 to 2007, and as Graduate Program Director in Dance from 2009 to 2011.

Admission: Free

Maps & Directions