The Department of Dance presents the DIP – Dance Independent Project – Choreographing Indigeneity
Choreographing Indigeneity explores issues of identity and place through dance with faculty, alumni and graduate students. The event will showcase performances, exhibits and presentations featuring Aria Evans, Syreeta Hector, Troy Twigg and Dance Collection Danse.
Curator: Susan Cash
Production Manager: Jennifer Jimenez
Presentations: 10:00 -11:45 a.m., 2:15 – 4:00 p.m.
Open to the public: 6:00 – 8:00 p.m.
Location: McLean Performance Studio, 244 Accolade East Building
Maps & Directions
[caption id="attachment_101678" align="aligncenter" width="768"] Apart, together, Vaiva Slapsys, 2018, 73×83, acrylic and thread on raw canvas[/caption]
affect / effect… features large scale abstract paintings and prints by 4th year Visual Art Studio student Vaiva Slapsys.
Everything that we do as people has an effect on someone else, and everything that we come into contact with affects us is some way. Our emotions are constantly shifting, able to be flipped one way or another in the blink of an eye, delicate and forever changing, easy to manipulate, affected by all that is around us. Although we all experience the unpredictability of our emotions as a normal part of our every day lives, we are often asked to put these feelings away as invalid or unimportant, and rarely do we have the opportunity to explore how we are feeling and truly reflect on it.
My work focuses on these emotional effects that we express with our bodies, and how that expression can, in turn, affect another. Using large motions with brushes, my hands, other various assorted tools, and pouring methods, my canvas is stained and marked in immediate ways that reflect the emotions that I feel while I work, and invite viewers to connect with these emotions and reflect on what it brings up for them. The size of the work envelops the viewer, allowing them to wholly sit with what they feel and to give them the opportunity to reflect. My work also includes intricate detail through the use of sewing, embroidery and detail painting work that asks the viewer to come closer, to pay attention, and to really allow themselves to be engrossed by what they see and what they feel.
The show will also include print media that complements the large abstract paintings. My print-making focuses on the effect that a place or time can have on memory. Nostalgic screen prints filled with photographic imagery, whimsical colours and both representational and abstract shapes, bring us back to a specific time or place in our memories and ask viewers to reflect on what kinds of feelings are being harboured there.
Monday to Friday, 9am – 4pm
Admission is free and all are welcome.
Jazz bassist, composer and arranger, Al Henderson, leads an ensemble of colleagues and friends in a signature performance. The show is part of the Department of Music’s Faculty Spotlight Series, taking place in the Martin Family Lounge at York’s Keele campus.
Joining Henderson onstage are York instructors Richard Whiteman (piano) and Barry Romberg (drums) and guest artists Alex Dean (saxophones) and Pat LaBarbera (saxophones). The concert will feature a selection of Henderson’s original compositions and arrangements.
Henderson has been a seminal force on the Canadian jazz scene for more than 30 years. He has earned critical acclaim and legions of fans as leader of his own bands – the Al Henderson Septet, Quintet and Quartet – and co-founder and co-leader of the groundbreaking group, Time Warp. He has also performed as sideman with many leading jazz artists including Diana Krall, Jane Bunnett, Arnett Cobb, Hank Crawford, Slim Gaillard, Jimmy Knepper and Flip Phillips.
As a composer, Henderson has created a large and distinctive repertoire of original works. More than 60 of his compositions have been recorded by his bands as well as other eminent artists such as Don Pullen, Jane Bunnett, Shox Johnson & the Jive Bombers, Alex Dean and Richard Whiteman. His accolades include the Jazz Report’s Composer of the Year designation and the prestigious SOCAN Award for Original Jazz Composition.“… Al Henderson is the real thing, a composer in the tradition of Duke Ellington and Charles Mingus, whose works have distinctive energy and melodic and harmonic character,” said jazz writer Stuart Broomer (Toronto Life).
all from one is an exhibition of large scale found object paintings by 4th year visual art studio student Catherine Hois exploring the artist’s fascination with the everlasting connection of all living things to the earth.
Artist Statement: This group of works represents my belief that we are protected and taken care of by the earth, because we are connected to the earth as living beings. Why are humans provided everything we need to survive and live a healthy life on earth? Is it coincidence? I believe that is it not. All species on this planet are genetically connected; we are a part of the harmony and flow of life, not apart from it as superior beings, and all atoms that make up life are in constantly rearranging from one living thing to another. Humans are organisms that consist of many functions; we ingest food, absorb nutrients, and excrete waste, we have senses, we have memories, we get sick when we are poisoned, along with many other functions. I think of Mother Nature; life itself as one organism with many functions as well; similar to our own bodies. My inspiration sprouts from these themes and phrases: Intertwine, interconnected, “circle of life,” and “All from one.”
My art works connect to these concepts with the materials I use, the colours, the gestural brush strokes, and the overall unity that I aim for in every piece. The found objects I use are all recycled materials, for example plastic bags, water bottles, plastic containers, old toys, old Christmas decorations, egg cartons, old Tupperware, broken instruments (the list goes on and on). My idea was not only to be less wasteful, but to bring life to the items that would have gone into the trash and disguise “garbage” as lively works of art. In creating these works, I tried to be as environmentally friendly as possible, from using empty paint containers, paint rags, coffee cups, and even snack wrappers; all waste that I produced throughout my painting process.
Monday to Friday, 9am – 4pm
Admission is free and all are welcome.
Catch a rising wave of electrifying film talent!
Now in its 17th year, CineSiege presents a collection of short films – riveting fiction, cutting-edge alternative works and provocative documentaries – selected by leading lights of Canadian film and media culture.
The films selected for CineSiege 2019 were chosen from a shortlist, culled from 186 productions made last year.
The nominees were reviewed by five jurors: Maya Bankovici, Franci Duran, Stuart Hands, Adina Pintilie and Ravi Srinivasan.
Jurors will be in attendance at CineSiege to introduce the winning films and explain why they were selected.
CineSiege is made possible through the generous support of
Immediately following screening (approx. 10:30pm)
The Monarch Tavern
12 Clinton St, Toronto, ON M6J 2N8
DRUM CLINIC with JOHN RILEY
Sponsored by the Oscar Peterson Fund
John began playing drums at age eight, after receiving a snare drum as a gift. With the support, encouragement and patience of his parents, John and Mary Ann, he played in the school band and began drum lessons with a good local teacher, Tom Sicola. While under Tom’s guidance, he gained control of the snare drum through work on the rudiments and reading. Eventually, he acquired a complete drumset and lessons expanded to include “beats of the day,” coordination and reading studies for the drumset. At age twelve, John began playing in rock bands and heard his first jazz recordings, the soundtrack to The Gene Krupa Story and Max Roach’s Conversation. Two years later, he played his first “professional” gig, which he obtained through an audition played over the telephone. John began studying with Joe Morello in 1971, after meeting him at a drum symposium. John went on to attend the University of North Texas, where he was introduced to a larger world of music and percussion. While at UNT, he played in, toured, and recorded with the famed One O’clock Lab Band. In 1976, he moved to New York City and was soon called to join the Woody Herman Band. Following that great experience, John returned to New York and began freelancing with a wide spectrum of world class musicians including Stan Getz, Milt Jackson, Miles Davis, Dizzy Gillespie, John Scofield, Bob Mintzer, Gary Peacock, Mike Stern, Joe Lovano, the Vanguard Jazz Orchestra, the Carnegie Hall Jazz Band, John Patitucci, Bob Berg, and many others.
John has a Bachelor of Music degree in jazz education from the University of North Texas and a Master of Music in jazz studies from Manhattan School of Music. He is on the faculty of Manhattan School of Music, and Kutztown University, and is an Artist in Residence at Amsterdam Conservatory, Holland. John is also the author of The Art of Bop Drumming, Beyond Bop Drumming, The Jazz Drummer’s Workshop, The Master Drummer DVD, and has taught master classes around the world.
Faculty Concert Series: Leaving Kansas Compositions by Dorothy de Val
Faculty member, pianist and musicologist Dorothy de Val reflects on her twenty years at York with a lighthearted program of original songs and instrumental music.
Dorothy de Val, piano
Paula Arciniega, mezzo soprano
Susanna McCleary, soprano
Anne Lederman, fiddle
Kye Marshall, cello
Patricia Wait, clarinet
Barbara Ackerman, flute
Dorothy de Val is a musicologist and pianist whose research interests include Scots Gaelic song, the first English folksong revival, pianos and pianism, and Haydn reception in England. Particular research interests include early 20th-century collectors and arrangers of folksong, particularly Broadwood and Grainger, and collectors of Gaelic song (Tolmie, Broadwood, Murray and Kennedy-Fraser).
Dr. de Val is the author of In Search of Song: The Life and Times of Lucy Broadwood, published by Ashgate in July 2011. She is a contributor to the Oxford Dictionary of National Biography and many music reference works including The Haydn Companion, and is a regular reviewer for the journal Music and Letters. With Patricia Debly of Brock University she organized a conference on Haydn in 2009, sponsored by York University, SSHRC and The Wirth Institute. She is also a member of the North American British Music Studies Association, whose conference she organized at York in 2008.
Professor de Val’s research extends into the field of dance, focusing on English social dance and Morris dance (especially Mary Neal and the Esperance Club). She co-organized a conference at York on English country dance in the summer of 2010, and performs regularly as pianist for English country dances with her group, Playford’s Pleasure, with a focus on the life and times of Jane Austen. Her most recent project involves performing music from Jane Austen’s own collection, featuring composers such as Pleyel, Sterkel, Storace and Kotzwara.
Dr. de Val has taught at the Royal Academy of Music (London), Oxford Brookes University and the University of Oxford, and served as assistant curator of musical instruments at the Royal College of Music (London). She joined York University’s Department of Music in 1999 and served as Associate Dean in the Faculty of Fine Arts from 2004 to 2007, and as Graduate Program Director in Dance from 2009 to 2011.
The York University Chamber Choir
Craig Garnham, guest conductor
Edward Moroney, piano
The choir will be performing works by Palestrina, Schütz, Monteverdi, Mendelssohn and Britten.
Ticket Admission:$15 adults | $10 students & seniors
Box Office: Purchase tickets online or call 416-736-5888
ENSEMBLE JENG YI is a Korean performing arts ensemble based in Toronto. Since their formation in 1998, the group has entertained audiences with their exciting repertoire of original compositions and traditional pieces.Building upon the conventions of Korean performing arts, Ensemble Jeng Yi has created a variety of innovative productions including intimate mu
sic recitals, site-specific works, interactive performances for young audiences, and ambitious multi-disciplinary productions. Not just talented drummers, the members are also accomplished performers of the ribbon-hat dance in which each member spins a ribboned-hat called the sangmo–all while dancing and drumming.
Joo Hyung Kim, Kayagum
Joo Hyung Kim is an accomplished performer of the Kayagum,the traditional Korean zither. Born in Korea, she began her traditional Korean music training at the age of six. She majored in traditional Korean music at Kyung Buk University, and completed her M.A. in traditional music at Sook Myung University. She immigrated to Canada in 2005 and has been an active performer and composer.
Admission is free.
Goodnight Desdemona (Good Morning Juliet) is a beloved feminist revisioning of two of Shakespeare’s most well-known plays, Othello and Romeo & Juliet. Written by Canadian playwright Ann-Marie MacDonald, the play explores the hypothetical question: what if Shakespeare’s tragedies were actually intended to be comedies? To learn the answer to this question, please join us November 16-25 in the Joseph G. Green Theatre to find out.
Sat, Nov. 16 (preview 1) @ 7:30 pm
Sun. Nov. 17 (preview 2) @ 7:30 pm
Tues. Nov. 19 (Opening) @ 7:30 pm
Wed. Nov. 20 @ 1:00 pm
Wed. Nov. 20 (Relaxed Performance) @ 7:30 pm –Plan your visit
Thurs. Nov. 21@ 7:30 pm
Fri. Nov. 22 @ 1:00 pm
Fri. Nov. 22 @ 7:30pm
Sat. Nov. 23 @ 2:00 pm
Tickets $7- 20
Online Box Office or call 416-736-5888
The York University Jazz Festival, running November 18-21, showcases rising young talent directed by leading lights of the Canadian jazz scene.
Catch the next generation of outstanding jazz artists, right here on campus – and with no cover charge!
Monday, November 18