Events

Mar
18
Sun
Theatre@York presents Dido, Queen of Carthage
Mar 18 – Mar 24 all-day

“Worlds of Exile,” Theatre @ York’s 2017-18 season, culminates in Christopher Marlowe’s Dido, Queen of Carthage, an epic story in an intimate and innovative new production directed by acclaimed director, dramaturg and playwright Peter Hinton.

Shadowed by war, Dido, Queen of Carthage is the original tragic love story with its hero Aeneas, the exiled prince of Troy, compelled by Fate to leave his beloved Dido, Queen of Carthage to fulfil a political destiny. Aeneas, the son of Venus, is one of the Trojans who escapes from the city after it is destroyed. In his exile he seeks refuge in Carthage. Learning of Aeneas’ experience and loss, Dido falls in love with him, only to be forsaken shortly after. Torn between her personal abandonment and national sacrifice, Dido performs an ultimate act of resistance.

Dido, Queen of Carthage is Marlowe’s first play, written when he was just 19 and still a student at Cambridge. Inspired by the fourth book of Virgil’s Aeneid, the story of Dido and Aeneas has stimulated artists for two millennia; from Ovid to Henry Purcell to modern-day science-fiction like Battlestar Galactica, with its exiled travellers seeking a prophesied new home. It isn’t hard to see the story’s appeal.

Performance Schedule: March 18 to 23 at 7:30pm

Box Office Information: Tickets are available online or over the phone 416-736-5888

Previews: $7.00 March 18 & 19

Relaxed Performance: $5.00
Thursday March 22  7:30pm

All Other Performances:

Tickets: $20.00
Student/Senior $12.00

Groups of 10 or more : $10.00
(Group price applies when all group tickets are purchased at once for a single performance. Not available online, please phone or visit the box office)
Sold-out Show Advisory:  Cash only Rush Seats are usually available at the door for sold out shows. If the show is sold out, please check back as seats may become available.  There is NO GUARANTEE that seats will come available and the timing of seats coming available varies. We recommend booking early & coming early!
Mar
23
Fri
Music @ Midday: York University Brass Ensemble – CANCELLED
Mar 23 @ 12:30 pm – 1:30 pm

The York University Brass Ensemble directed by James MacDonald and the York University Percussion Ensemble led by John Brownell perform works by Byrd, Handel, Bach and others.

Admission is free.

Oct
25
Thu
Theatre @ York presents Noise
Oct 25 – Oct 27 all-day

Theatre @ York presents a studio production of Noise by Maria Milisavljevic under the direction of Lindsey Bell and Margaret Legere, featuring the third year acting students.

Milisavljevic is an award-winning playwright, theatre creator and director who lives and works in Germany. Noise is an innovative play that speaks to war, fear, forgiveness and compassion in our modern world of human failings. The positive ending stands against the odds of contemporary stories in its conviction that future generations have the power to change the world for the better.

Performance Schedule:
Thu. Oct. 25, 7pm
Fri.Oct. 26, 2pm and 7pm
Sat.Oct. 27, 7pm

Admission is free, but seating is limited. Those wishing to attend are invited to sign up in advance for the performance of their choice. A sign-up sheet will be posted outside the door of CFT 139 in the Centre for Film and Theatre.

Nov
17
Sat
Theatre@York presents rochdale
Nov 17 – Nov 24 all-day

Rochdale promo photo by Jeremy Mimnagh

50 years since its founding, Theatre @ York opens the 2018-2019 season with the premiere of rochdalea new play by David Yee under the direction of Nina Lee Aquino, featuring the fourth-year acting ensemble.

Opened in 1968, Rochdale College was an experiment in student-run alternative education and co-operative living. The project ultimately failed when it could not cover its financing and neighbours complained that it had become a haven for drugs and crime.

“We are delighted to open our season with a new Canadian play that embraces the same spirit of experimentation and social advocacy that guided the founding of the Department of Theatre at York 50 years ago,” commented department chair Marlis Schweitzer. David Yee and Nina Lee Aquino have collaborated on a play that not only gives voice to the youth, energy, and passion of the 1960s but also resonates with students today. We are incredibly fortunate to have such Canadian innovators kick off this season, as we reflect on the past 50 years and look ahead to the future.”

David Yee is a Canadian actor, playwright and the artistic director of fu-Gen Theatre Company. His play carried away on the crest of a wave won the 2015 Governor General Award.

Nina Lee Aquino is an award-winning director and dramaturge, and the Artistic Director of Factory Theatre. She is committed to the development of new works, and to the manifestation of interculturalism in theatre.

Performance Schedule:

7:30 p.m. on November 17, 19-23
1:00 p.m. on November 21 & 23
2 p.m. on November 24

Tickets $7- 20

Online Box Office  or call 416-736-5888

Sold-out Show Advisory:  Cash only Rush Seats are usually available at the door for sold out shows. If the show is sold out, please check back as seats may become available.  There is NO GUARANTEE that seats will come available and the timing of seats coming available varies. We recommend booking early & coming early!
Nov
23
Fri
Vocal Masterclass with mezzo-soprano Krisztina Szabó
Nov 23 @ 1:30 pm – 4:30 pm

Mezzo-soprano Krisztina Szabó leads a masterclass with young singers from the classical vocal performance studios of York music faculty members Catherine Robbin, Stephanie Bogle, Norma Burrowes and Karen Rymal.

Observers are welcome at the masterclass, but please use discretion when entering and exiting the hall.

Maps & Directions

Hungarian-Canadian mezzo-soprano Krisztina Szabó has become highly sought after in both North America and Europe as an artist of supreme musicianship and stagecraft. The Chicago Tribune exclaimed, “Krisztina Szabó stole her every scene with her powerful, mahogany voice and deeply poignant immersion in the empress’ plight” after her performance of Ottavia in L’incoronazione di Poppea. She made her Lincoln Center début as Dorabella in Così fan tutte at the Mostly Mozart Festival where she was praised in the New York Times for being “clear, strong, stately and an endearingly vulnerable Dorabella.” In her hometown of Toronto, Canada, she has been nominated twice for a Dora Award for Outstanding Female Performance.

In the 2017-18 season, Krisztina Szabó will make her Royal Opera and Netherlands Opera débuts in George Benjamin’s new opera, Lessons in Love and Violence. She will also appear as Angel/Marie in Benjamin’s Written on Skin for both Opera Philadelphia and the Holland Festival, and as Dido in both Dido and Aeneas (Purcell) and Aeneas and Dido (James Rolfe) with Toronto Masque Theatre, Toronto. She will appear in concert with Pax Christi Chorale (Bruckner’s Te Deum), Kitchener-Waterloo Symphony (Wagner’s Wesendonck Lieder), Arion Baroque Orchestra (Bach Mass in A Major), Ensemble Contemporain de Montréal (Sokolovic’s Pesma), and she will be soloist in Händel’s Messiah with the Toronto Symphony Orchestra , Newfoundland Symphony Orchestra and Vancouver Early Music. In March 2018, she will début a new song cycle by Jeffrey Ryan with Canadian Art Song Project in recital with pianist, Steven Philcox.

Photo by: Bo Huang

Jan
24
Thu
Theatre@York presents Middletown
Jan 24 – Jan 26 all-day

 

Jackie Maxwell headshotTheatre @ York  presents Middletown by Will Eno, featuring the acting students in the MFA program and directed by the esteemed Jackie Maxwell.

Lives of the inhabitants of Middletown transect in an emotional journey that takes them from the local library to outer space and beyond. The moving and funny play emerges as a meditation on loneliness, birth, death, and the anxieties of our contemporary lives.

 

 

Performance Schedule:

Thursday, January 24 7:30pm Opening

Friday, January 25 2pm & 7:30pm

Saturday, January 26, 2pm

Admission is free, but seating is limited. Those wishing to attend are invited to sign up online in advance for the performance of their choice
Feb
7
Thu
Theatre @ York presents Metamorphoses
Feb 7 – Feb 9 all-day

Birgit Schreyer Duarte HeadshotTheatre @ York presents a studio production of Metamorphoses by Mary Zimmerman under the direction of Birgit Schreyer Duarte, featuring the third year acting students.

With the themes of loss, transformation, rebellion and the ever-present power of imagination Metamorphoses vividly juxtaposes the ancient and the contemporary in language and image to reflect the variety and persistence of story in the face of inevitable change.

Originally from Germany, Schreyer Duarte is a director, translator and dramaturg who enjoys introducing international work to Canadian audiences and tackling challenging scripts with actors. Most recently, she translated Deportation Cast for Theatre @ York, directed Noise at Randolph College for the Performing Arts and Hamlet at Shakespeare in High Park. She is also the dramaturg & artistic associate at Canadian Stage.

 

Performance Schedule:
Thu. Feb 7, 7:30pm
Fri. Feb 8, 2pm and 7:30pm
Sat. Feb 9, 2pm

Admission is free, but seating is limited. Those wishing to attend are invited to sign up in advance for the performance of their choice. A sign-up sheet will be posted outside the door of CFT 139 in the Centre for Film and Theatre.

Mar
24
Sun
Theatre@York presents Orlando and The Balcony in repertory
Mar 24 – Mar 30 all-day

Sandra Faire and Ivan Fecan TheatreTheatre @ York presents Orlando by Sarah Ruhl, directed by MFA candidate Lindsay Bell and The Balcony by Jean Genet, directed by MFA candidate Margaret Legere. The two shows will be performed in repertory and feature the MFA and fourth-year actors.

Orlando is a dramatic adaptation of Virginia Woolf’s feminist classic by contemporary playwright Sarah Ruhl. It investigates the adventures of a poet who changes sex from man to woman and lives for centuries, meeting the key figures of English literary history.

The Balcony uses the setting of an unnamed city and a distant background of a revolution and counterrevolution to explore strains of power in a society. The play compelling examines the delicate equilibrium of reality and illusion.

Performance Schedule:

Orlando 
Sunday, March 24 at 7:30pm (Preview)
Tuesday, March 26 at 7:30pm (Opening)
Wednesday, March 27 at 1:00pm
Friday, March 29 at 7:30pm
Saturday, March 30 at 1:00pm

The Balcony
Monday, March 25 at 7:30pm (Preview)
Wednesday, March 27 at 7:30pm (Opening)
Thursday, March 28 at 7:30pm
Friday, March 29 at 1:00pm
Saturday, March 30 at 7:30pm

Tickets $7- 20

Buy online or call 416-736-5888

Sold-out Show Advisory:  Cash only Rush Seats are usually available at the door for sold out shows. If the show is sold out, please check back as seats may become available.  There is NO GUARANTEE that seats will come available and the timing of seats coming available varies. We recommend booking early & coming early!
Nov
16
Sat
Theatre@York presents Goodnight Desdemona (Good Morning Juliet)
Nov 16 – Nov 23 all-day

Coulorful collage featuring a Elizabethan woman on the left, a luminant sky on the right, and a glowing brain in the centre

Goodnight Desdemona (Good Morning Juliet) is a beloved feminist revisioning of two of Shakespeare’s most well-known plays, Othello and Romeo & Juliet. Written by Canadian playwright Ann-Marie MacDonald, the play explores the hypothetical question: what if Shakespeare’s tragedies were actually intended to be comedies? To learn the answer to this question, please join us November 16-23 in the Joseph G. Green Theatre to find out.

Performance Schedule:

Sat, Nov. 16 (preview 1) @ 7:30 pm

Sun. Nov. 17 (preview 2) @ 7:30 pm

Tues. Nov. 19 (Opening) @ 7:30 pm

Wed. Nov. 20 @ 1:00 pm

Wed. Nov. 20 (Relaxed Performance) @ 7:30 pm –Plan your visit

Thurs. Nov. 21@ 7:30 pm

Fri. Nov. 22 @ 1:00 pm

Fri. Nov. 22 @ 7:30pm

Sat. Nov. 23 @ 2:00 pm

Tickets $7- 20

Online Box Office  or call 416-736-5888

Sold-out Show Advisory:  Cash only Rush Seats are usually available at the door for sold out shows. If the show is sold out, please check back as seats may become available.  There is NO GUARANTEE that seats will come available and the timing of seats coming available varies. We recommend booking early & coming early!