Events

Nov
19
Mon
Winters Café
Nov 19 @ 2:00 pm – 4:00 pm
Winters Café @ Junior Common Room, 012 Winters College

Stay warm at the next Winters Café! We’re offering warm beverages, sweet treats and board games. Plus, we’ll have live performances from your student peers. Interested in performing yourself? Sign up HERE

Nov
20
Tue
DIY Holiday Crafts
Nov 20 @ 1:00 pm – 4:00 pm
DIY Holiday Crafts @ Junior Common Room, 012 Winters College

Don’t be a Grinch, get crafty at this festive event taking place next Tuesday! We’re offering supplies for gift wrapping, card making, candy grams and ornaments. Or, simply stop on by for some holiday cheer!

Nov
23
Fri
Vocal Masterclass with mezzo-soprano Krisztina Szabó
Nov 23 @ 1:30 pm – 4:30 pm

Mezzo-soprano Krisztina Szabó leads a masterclass with young singers from the classical vocal performance studios of York music faculty members Catherine Robbin, Stephanie Bogle, Norma Burrowes and Karen Rymal.

Observers are welcome at the masterclass, but please use discretion when entering and exiting the hall.

Maps & Directions

Hungarian-Canadian mezzo-soprano Krisztina Szabó has become highly sought after in both North America and Europe as an artist of supreme musicianship and stagecraft. The Chicago Tribune exclaimed, “Krisztina Szabó stole her every scene with her powerful, mahogany voice and deeply poignant immersion in the empress’ plight” after her performance of Ottavia in L’incoronazione di Poppea. She made her Lincoln Center début as Dorabella in Così fan tutte at the Mostly Mozart Festival where she was praised in the New York Times for being “clear, strong, stately and an endearingly vulnerable Dorabella.” In her hometown of Toronto, Canada, she has been nominated twice for a Dora Award for Outstanding Female Performance.

In the 2017-18 season, Krisztina Szabó will make her Royal Opera and Netherlands Opera débuts in George Benjamin’s new opera, Lessons in Love and Violence. She will also appear as Angel/Marie in Benjamin’s Written on Skin for both Opera Philadelphia and the Holland Festival, and as Dido in both Dido and Aeneas (Purcell) and Aeneas and Dido (James Rolfe) with Toronto Masque Theatre, Toronto. She will appear in concert with Pax Christi Chorale (Bruckner’s Te Deum), Kitchener-Waterloo Symphony (Wagner’s Wesendonck Lieder), Arion Baroque Orchestra (Bach Mass in A Major), Ensemble Contemporain de Montréal (Sokolovic’s Pesma), and she will be soloist in Händel’s Messiah with the Toronto Symphony Orchestra , Newfoundland Symphony Orchestra and Vancouver Early Music. In March 2018, she will début a new song cycle by Jeffrey Ryan with Canadian Art Song Project in recital with pianist, Steven Philcox.

Photo by: Bo Huang

Dec
3
Mon
When I Grow Up …, mixed media exhibition by Courtney Fairweather
Dec 3 – Dec 13 all-day
Detail of Courtney Fairwather's sculpture "Doll House"Upper year visual art student Courtney Fairweather’s solo exhibition When I Grow Up … is a critical examination of “traditional” gender roles.

 

Sweet Dreams uses illustrations by such people as Mabel Lucie Attwell, Muriel Dawson, and Susan B. Pearse, applied to bedroom curtains.These images socialize little girls into acceptance of traditional gender roles whereby they clean house and are passive in the face of male violence. The second part of the exhibition, Doll House, is a metaphorical representation of what girls can expect, if they adhere to these gender roles. This mixed media exhibition also includes photographic material.

Gallery Hours:
Mon. – Thurs. 10am – 4pm.

Admission is free and all are welcome

 

Jan
7
Mon
Woven, a raw canvas installation by Eszter Rosta
Jan 7 – Jan 17 all-day

Eszter Rosta's Substance (a) - 2018Fifth year Visual Art student Eszter Rosta’s solo show Woven, explores materiality, physicality, and objecthood in a number of large-scale raw canvas works.

“I want to play with the prominence of the shape through the materials in question and natural pigmentations such as teas, coffee grounds, plants, etc. Furthermore, I also intend to represent the objecthood of the canvas, by showing them for the canvas that it is – the actual fabrication of the material, the complexity of its weaving, and its natural reference to plants, through processes of manipulation and human imprint.

IMAGE: Eszter Rosta’s Substance (a) – 2018

Gallery Hours:
Mon. – Thurs. 10am – 4pm.

Admission is free and all are welcome

 

Jan
21
Mon
Just the Wind, a mixed-media exhibition by Ellen Soule and Liv Paul
Jan 21 – Jan 31 all-day

Liv Paul - Portrait of Ellen, ink drawing Third year Visual Art students Ellen Soule and Liv Paul team up to create and present Just the Wind, a mixed-media exhibition that invites viewers to ask questions about the way they experience fear and trauma.

“It is a well-known expression that most people have encountered when hearing a strange noise that it was “just the wind” rather than an intruder – human, or spectral. Our joint exhibition focuses on the experience of our fears or traumas and how we process them. We want people to connect with a moment they remember hearing the phrase so that they immediately recognize their connection to the works. We hope that people will see their own fears represented in the visualizations of our personal fears, which are common in many people but create different reactions individually. ”

IMAGE: Liv Paul – Portrait of Ellen, ink drawing

Gallery Hours:
Mon. – Thurs. 10am – 4pm.

Admission is free and all are welcome

 

Feb
12
Tue
playGround: 26th annual fringe festival of new plays in development
Feb 12 – Feb 15 all-day

 

playground 2019 posterCreated and produced by undergraduate students in the Department of Theatre; this annual, student-produced fringe fest features new, original works collaborated on and created by young playwrights, devisers, designers, and directors.

Keeping the “play” in playGround, this year creators were challenged with an image inspiration along with the theme “everything but the drama…” Encouraging a plethora of passion projects, this year the festival features a wide range of genre bending works that push boundaries and take risks.

 

 

 

playGround runs in two series, each featuring six short works

SERIES A
Tues. Feb. 12, 7:00 pm
Wed. Feb. 13, 7:00 pm
Fri. Feb. 15, 2:00 pm

On the program:
A Friend of Dorothy
Concealer
Finger Painting
Post-Pracki
Spitting Image
The Untitled Bread Project

SERIES B
Wed. Feb. 13, 2:00 pm
Thurs. Feb. 14, 7:00 pm
Fri. Feb. 15, 7:00 pm

On the program:
A Working Class Child
Dice, Daggers, and Darkness
Let’s Have an Orgy!
Our American Dream
Piccolo’s Pasticcio
She² & He²

Admission: $7 per series.

Box Office: online or tel. 416.736.5888.
Seating is limited and performances often sell out in advance. Book early to avoid disappointment!

Map & Directions

Sep
30
Mon
X – a collaborative exhibition by Kristen Elizabeth Donoghue-Stanford and Rebecca Garcia Echeverria
Sep 30 – Oct 10 all-day

X is a collaborative exhibition by  Kristen Elizabeth Donoghue-Stanford and Rebecca Garcia Echeverria focused on the theme of femininity and the subversion of the stereotypes that limit it.

Through the exploration of their different and similar experiences, Donoghue-Stanford and Garcia propose to create an abstracted feminine environment that calls upon a shifting perspective of femininity and redefining what it means to exist in the everyday as a woman. The exhibition will exist as a lament to the experiences of women, but also as an expression of gratitude.

(Left) Untitled - Photo Series (Installation View) by Rebecca Garcia Echeverria. (Right) Handheld (Front Detailing), Bronze, 9in x 5 in x 0.3 in by Kristen Elizabeth Donoghue-Stanford

Gallery Hours:

Monday-Thursday, 9am – 4:00pm

Reception Oct 1, 6-8pm

Free admission

Oct
21
Mon
The State of Not Knowing – works on paper by Ernesto Hidalgo and Deanna Gisborne
Oct 21 – Oct 31 all-day

[caption id="attachment_101732" align="aligncenter" width="600"]My Body by Deana Gisborne (2019), 43’ x 39.5’, Graphite on Paper My Body by Deana Gisborne (2019), 43’ x 39.5’, Graphite on Paper[/caption]

The State of Not Knowing is an exhibition works on paper by Ernesto Hidalgo (print media) and Deanna Gisborne (painting & drawing).

Artist statement: Ultimately, a search for our complicated identities is at the heart of our work, whether this is manifested by obscuring the body, multiplying form, collapsing into a writhing vortex or creating dream-like worlds where animals and humans intersect. We try to reconcile contradictions in ourselves, made possible through the unbounded language of art. All of this probing of the self-conscious mind is expressed in bodies, trying from all angles to reach that same conclusion and achieve resolution: Who am I, and how can I grasp this ever-evolving self?  This question is, of course, unanswerable, but we continue this cycle indefinitely, because we are human, and we are curious.

 

Gallery Hours:

Monday-Thursday, 9am – 4:00pm

Free admission

[caption id="attachment_101733" align="aligncenter" width="600"]Felt, by Ernest Hidalgo (2019) Screen print on rag paper; mounted on foamcore. 20” x 28” Felt, by Ernest Hidalgo (2019) Screen print on rag paper; mounted on foamcore. 20” x 28”[/caption]

Oct
25
Fri
DisPerSion Lab presents Doug Van Nort with special guest Anne Bourne
Oct 25 @ 5:30 pm – 7:30 pm

Doug Van Nort with special guest Anne Bourne 

In this on going series Doug Van Nort performs with curated and invited guests.

This first event will feature an electronics and cello duo with Doug Van Nort and longtime friend and collaborator, Anne Bourne.

All are welcome to come and listen in this immersive sonic space.

Nov
4
Mon
Lifelines (Hilda) – solo sculpture and time based art show by Kristen Elizabeth Donoghue-Stanford
Nov 4 – Nov 14 all-day

[caption id="attachment_101740" align="aligncenter" width="700"]Detail from A Lament, by Kristen Elizabeth Donoghue-Stanford, 2019, Acrylic Yarn, 15ft x 5ft x 10ft Detail from A Lament, by Kristen Elizabeth Donoghue-Stanford, 2019, Acrylic Yarn, 15ft x 5ft x 10ft[/caption]

Lifelines (Hilda) is a solo sculpture and time based art installation by Kristen Elizabeth Donoghue-Stanford focused on the theme of lamentation and mourning of someone who is no longer present.

Artist statement: The exhibition will focus around ideas of life, death, loss, and remembrance, interplaying with one another. 87 knitted tubes in neutral colours will be suspended within the gallery space, arranged to create guided pathways and a knitted canvass for video projection.

The installation will be curated in order to showcase a metaphorical image of the lifelines of a particular life; that of a woman named Hilda, whom the footage collected belonged to. 87 knitted tubes will be used within the installation showcasing the number of years Hilda lived until she passed away on January 6th, 2019. The video shows Hilda and her family throughout several years of their lives and will be played on loop throughout the exhibition. A slight distortion will be used in order to hide or blur certain images within the video frame, as well as the projection onto the knitwork will add its own distortion. This is meant to symbolize the memories we don’t always get to keep with us, even when someone has left us.  As one of Hilda’s favourite pastimes and a skill that she passed onto the next generation of her family, the knitwork could not more perfectly summarize the complicated, yet beautiful framework of a life. In this installation we experience the feelings of remembrance and loss and face the concepts of life and death as we witness the lifelines of somebody who is no longer with us through the process of lamenting.  It opens the possibility for reflection and the ability to express gratitude towards such a life.

Gallery Hours:

Monday-Thursday, 9am – 4:00pm

Free admission

Reception: Thursday, November 14, 2019 from 5:30 p.m. – 7:30 p.m.

Dec
6
Fri
DisPerSion Relation #4 with the Electro-Acoustic Orchestra
Dec 6 @ 5:30 pm – 7:30 pm

Dispersion Relation #4: Doug Van Nort with the Electro-Acoustic Orchestra

In this on going series Doug Van Nort performs with curated and invited guests.

All are welcome to come and listen in this immersive sonic space. The lab door will remain open, and people are welcome to come in late or leave early during the show. (Please remove shoes before entering!)

The fourth event welcomes a special performance with the Electro-Acoustic Orchestra. Two pieces will explore new modes of composing for attentional strategies that blend Soundpainting conducting, cross-performer shared sound processing, interactive spatialization and lighting.

All are welcome to come and listen in this immersive sonic space.

Dec
21
Sat
Music to Play in the Dark #1
Dec 21 @ 5:30 pm – 7:30 pm

Music to Play in the Dark #1

In this on going series Doug Van Nort performs with curated and invited guests.

All are welcome to come and listen in this immersive sonic space. The lab door will remain open, and people are welcome to come in late or leave early during the show. (Please remove shoes before entering!)

An immersive, spatial audio-haptic concert in total darkness for the Winter Solstice!

This concert will feature existing pieces by invited composer Darren Copeland and Doug Van Nort that are re-imagined for the 28.2 audio and 56-channel haptic floor of the DisPerSion Lab. It will also include a new piece by lab member Rory Hoy created for this event.

Copeland’s piece will feature a small amount of light in order to see his performative gesture-based spatializations sound. Van Nort’s piece, originally composed in 2012, will be the first full use of the haptic floor that he has created over the past few years. Hoy’s piece will be a new construction created in the space leading up to the event.

About the guest composer:
Darren Copeland is a Canadian sound artist who has been active since 1985 and lives in the country outside the village of South River (Ontario). His work encompasses multichannel spatialization for live performance, fixed media composition, soundscape composition, radio art and sound installations.

His fixed-media compositions have explored both abstract and referential sound materials. Many of these works are released on the empreintes DIGITALes label and have received mentions from Vancouver New Music, Phonurgia Nova, Luigi Russolo, and other competitions.and lighting.

All are welcome to come and listen in this immersive sonic space.

Jan
24
Fri
DisPerSion Relation #5 with guest Michael Palumbo
Jan 24 @ 5:30 pm – 7:30 pm

Dispersion Relation #5: Doug Van Nort with guest Michael Palumbo

In this on going series Doug Van Nort performs with curated and invited guests.

All are welcome to come and listen in this immersive sonic space. The lab door will remain open, and people are welcome to come in late or leave early during the show. (Please remove shoes before entering!)

The fifth event welcomes special guest Michael Palumbo.

All are welcome to come and listen in this immersive sonic space.

Feb
11
Tue
playGround: Fringe Festival of New Plays in Development
Feb 11 – Feb 14 all-day

playGround: Fringe Festival of New Plays in Development

Created and produced by undergraduate students in the Department of Theatre.
Now in its 28th season, this annual, student-produced fringe fest features new, highly original works and works-in-progress by up-and-coming playwrights, directors, designers and performers.

In keeping with the true spirit of playGround, the pieces reflect an uncurbed spirit, a humourous undertone and a risk-taking mindset.

playGround runs in two series

SERIES A
Tues. Feb. 11, 7:30 p.m. (Opening)
Wed. Feb. 12, 7:30 p.m.
Fri. Feb. 14, 1:00 p.m. (Closing)

SERIES B
Wed. Feb. 12, 1:00 pm (Opening)
Thurs. Feb. 13, 7:30 pm
Fri. Feb. 14, 7:30 pm (Closing)

Admission: $7 per series.

Box Office: online or tel. 416.736.5888.
Seating is limited and performances often sell out in advance. Book early to avoid disappointment!

Directions