[caption id="attachment_99589" align="alignright" width="263"] The Ashley Plays. Photo: Judith Rudakoff[/caption]
The Ashley Plays is an annual performance cycle of short, devised, site-specific monodramas, written by the playwrights and developed by the dramaturgs in the 3290 and 4290 Playwriting & New Play Dramaturgy courses taught by Professor Judith Rudkoff in York University’s Department of Theatre.
Each piece in the cycle is thematically linked, relates to the site in which it takes place, and involves a character named Ashley,
The audience is divided into three pods of moving spectators. Each group is led through the cycle by a guide to experience the monodramas up close.
Audience members are asked to assemble outside the Joseph G. Green Studio Theatre in the lobby of the Centre for Film and Centre. Please arrive by 12:45 pm for instructions and to be grouped into pods.
While admission is free, voluntary donations will be collected for Oxfam Unwrapped, an online charity from which we will be purchasing life-changing resources for communities worldwide.
Catch a rising wave of electrifying film talent!
CineSiege is made possible through the generous support of
The Monarch Tavern
12 Clinton St, Toronto, ON M6J 2N8
DRUM CLINIC with JOHN RILEY
Sponsored by the Oscar Peterson Fund
John began playing drums at age eight, after receiving a snare drum as a gift. With the support, encouragement and patience of his parents, John and Mary Ann, he played in the school band and began drum lessons with a good local teacher, Tom Sicola. While under Tom’s guidance, he gained control of the snare drum through work on the rudiments and reading. Eventually, he acquired a complete drumset and lessons expanded to include “beats of the day,” coordination and reading studies for the drumset. At age twelve, John began playing in rock bands and heard his first jazz recordings, the soundtrack to The Gene Krupa Story and Max Roach’s Conversation. Two years later, he played his first “professional” gig, which he obtained through an audition played over the telephone. John began studying with Joe Morello in 1971, after meeting him at a drum symposium. John went on to attend the University of North Texas, where he was introduced to a larger world of music and percussion. While at UNT, he played in, toured, and recorded with the famed One O’clock Lab Band. In 1976, he moved to New York City and was soon called to join the Woody Herman Band. Following that great experience, John returned to New York and began freelancing with a wide spectrum of world class musicians including Stan Getz, Milt Jackson, Miles Davis, Dizzy Gillespie, John Scofield, Bob Mintzer, Gary Peacock, Mike Stern, Joe Lovano, the Vanguard Jazz Orchestra, the Carnegie Hall Jazz Band, John Patitucci, Bob Berg, and many others.
Faculty Concert Series: Leaving Kansas Compositions by Dorothy de Val
Paula Arciniega, mezzo soprano
Susanna McCleary, soprano
Anne Lederman, fiddle
Kye Marshall, cello
Patricia Wait, clarinet
Barbara Ackerman, flute
Dr. de Val has taught at the Royal Academy of Music (London), Oxford Brookes University and the University of Oxford, and served as assistant curator of musical instruments at the Royal College of Music (London). She joined York University’s Department of Music in 1999 and served as Associate Dean in the Faculty of Fine Arts from 2004 to 2007, and as Graduate Program Director in Dance from 2009 to 2011.
Craig Garnham, guest conductor
Edward Moroney, piano
The choir will be performing works by Palestrina, Schütz, Monteverdi, Mendelssohn and Britten.
Box Office: Purchase tickets online or call 416-736-5888
Joo Hyung Kim, Kayagum
Admission is free.
Sat, Nov. 16 (preview 1) @ 7:30 pm
Sun. Nov. 17 (preview 2) @ 7:30 pm
Tues. Nov. 19 (Opening) @ 7:30 pm
Wed. Nov. 20 @ 1:00 pm
Wed. Nov. 20 @ 7:30 pm
Thurs. Nov. 21@ 7:30 pm
Fri. Nov. 22 @ 1:00 pm
Fri. Nov. 22 @ 7:30pm
Sat. Nov. 23 @ 2:00 pm
Tickets $7- 20
Online Box Office or call 416-736-5888
Monday, November 18
Tuesday, November 19