Events

Mar
6
Fri
NOISE: York University Department of Visual Art & Art History Senior Studio Exhibition at Gallery 1313
Mar 6 – Mar 14 all-day

York University Department of Visual Arts and Art History
presents
NOISE
Senior Studio Exhibition

‘Noise’ is an exhibition of work by the two senior studio classes, Installation & Painting, in the Department of Visual Art & Art History, York University. Bringing together the work of about fifty students who work in a diversity of contemporary styles & media, the exhibition is both a culmination of their BFA and a launching pad to their futures.

Date: March 6-14, 2020
Opening Reception: Saturday, March 7, 2:00-5:00pm
Gallery Hours: Wednesday – Sunday, 1-6pm
Address: 1313 Queen Street West, Toronto, ON
Free Admission

Gallery 1313 website: g1313.org
Gallery 1313 phone: 416-536-6778

 

 

Mar
9
Mon
Mental Health Week at Winters College
Mar 9 – Mar 13 all-day

Join us at Winters College from Monday, March 9 to Friday, March 13 for Mental Health Week! Feeling overwhelmed? Come plant succulents with us. Need an excuse to move your body? Join us for some mindful belly dancing. We have multiple events throughout the week to relax, recharge and re-energize.
Winters College understands how stressful and overwhelming this time of year is – but we got you. Have a hot chocolate and add to our Journeys of Resilience Mural available in the JCR all week long for anyone to share their story.

Come self-care with us!

FACTT 2020: FESTIVAL of ART AND SCIENCE Exhibition 
Mar 9 @ 11:00 am – Mar 12 @ 4:00 pm

FACTT 2020: FESTIVAL of ART AND SCIENCE Exhibition 
featuring invited artists and AMPD student works 

Monday, March 9th – Thursday, March 12th, 2020
11:00am-4:00pm
Gales Gallery (Accolade West Room 105)
Exhibition Opening: March 9th from 5:00-6:00pm

Don’t miss the 2020 Festival of Art and Science Exhibition – (BE) Coming An Exhibition of Experimental Contemporary Art, co-sponsored by Sensorium: Centre for Digital Arts and Technology, ArtSci Salon and The Fields Institute at the University of Toronto. The exhibition features the work of both invited artists and AMPD students. All are welcome to attend the exhibition opening which will take place on March 9th from 6:00-7:30pm in the Gales Gallery at York University.

About FACTT 2020

FACTT 2020 – (BE) COMING An Exhibition of Experimental Contemporary Art is about the impermanence of becoming permanent. A transformation is an extreme, radical change. The unavoidability of changes is a constant process we have throughout our lives. We may not always be aware of it, and often just spend so much energy avoiding this “law of nature” that we forget it exists and thrives for stability. (BE) COMING is an exhibition about change, the impossibility of not changing, the perpetual impermanence and the process of becoming. As we become aware of the need to change in our world, in our planet and our lives, it feels necessary to remember that life is a dynamic process. Life is a consistent process of transformation and adaptation. Art, more than any other human endeavour, is a reflection of this aspect of life and therefore the best way to remember the process of being something different, something else, something more, or something less, while becoming ourselves.

Mar
10
Tue
Devised Theatre Festival 2020
Mar 10 – Mar 14 all-day

Devised Theatre Festival 2020
March 10 – 14, 2020

The Devised Theatre Festival premieres three captivating new productions, each conceived, created, produced, and performed by fourth year Devised Theatre students in the Performance, Creation, and Research stream in York University’s Theatre program.

This year, the theme for the Devised Theatre Festival is: Escapism in the age of the Experience Culture, wherein we ask questions about how we try to escape, why we might feel the need to escape, and why this desire to escape may be problematic.

The three shows featured in this year’s festival are: Auto-nomy, a seductive physical theatre piece about companion robots who gain sentience, by The Vector Regime; Five, an intermedial physical theatre piece about four young women who are trapped inside a video game, by Mind Yo’ Business Productions; and Goodnight, Sunny, a magic realism piece about two siblings, Jonathan and Jamie, who go on one final adventure with their imaginary friend, Sunny.

Each show is presented by a production company formed by a student ensemble within Devised Theatre.

The Devised  Theatre Festival runs in two series, each presenting a double bill:

Tuesday, March 10th: Company A: The Vector Regime (7:00pm) | Company B: Mind Yo’ Business Productions (8:30pm)

Wednesday, March 11th: Company B: Mind Yo’ Business Productions (7:00pm) | Company C: Triptych Theatre Collective (8:30pm)

Thursday, March 12th: Company C: Triptych Theatre Collective (7:00pm) | Company A: The Vector Regime (8:30pm)

Friday, March 13th: Company C: Triptych Theatre Collective (3:00pm) | Company A: The Vector Regime (4:30pm) | Company B: Mind Yo’ Business Productions (6pm)

Saturday, March 14th: Company B: Mind Yo’ Business Productions (3:00pm) | Company A: The Vector Regime (4:30pm) | Company C: Triptych Theatre Collective (6pm)

Venue:  207 Accolade East Building | York University Keele Campus

Admission: Pay What You Can. Suggested $10 (cash only please)

For full details about the shows, the production companies, the artists, and blog posts, visit the Devised Theatre Festival website.

Mar
12
Thu
York University World Music Festival
Mar 12 @ 10:30 am – 7:30 pm

 

York University’s World Music Festival is a cross-cultural celebration spotlighting musical traditions of five continents.

Produced by Professor Sherry Johnson, this global sonic tour presents a sampling of international cultures represented in York’s world music program.

The festival packs six free concerts into two days: March 12-13

On March 12, performances take place in two locations:

  • Martin Family Lounge (MFL), 219 Accolade East Building
  • Tribute Communities Recital Hall (TCRH), 112 Accolade East Building

10:30 a.m. – Celtic Ensemble (MFL)
11:30 a.m. –  World Music Showcase (MFL)
1:00 p.m. –  Cuban Ensembles with Escola de Samba (TCRH)
3:00 p.m. – West African Drumming: Ghana (TCRH)
6:30 p.m. – Caribbean Ensemble (TCRH)

Free admission.
Maps and Directions

Hollywood Old and New: ReDesigns for Student Engagement in eLearning with Gillian Helfield & Dan Becker
Mar 12 @ 12:00 pm – 1:30 pm

Hollywood Old and New: ReDesigns for Student Engagement in eLearning with Gillian Helfield & Dan Becker
Thursday, March 12
12:00 – 1:30 PM
AMPD Faculty Lounge (GCFA 214)
Free
RSVP

Join us for this lunchtime talk about the evolution of “Hollywood Old and New”, a fully online class that offers students an understanding of Hollywood film genres from a historical and social perspective. In this talk, the presenters will discuss their pedagogical strategies for the new course redesign to facilitate student engagement in a large format class. This course is offered by the Department Cinema and Media Arts in the School of the Arts, Media, Performance & Design. 

Gillian Helfield lectures at York University, in Cinema and Media Studies in AMPD, Humanities in LAPS, and Canadian Studies at Glendon College. Though she has specialized in Canadian and Quebec Cinemas, other areas of academic interest include Genre Studies, Cultural Studies, Women’s Cinema, National Cinemas, Diasporic and Exilic Cinemas, Middle Eastern Cinemas, and Rural Cinemas. In 2006, her book Representing the Rural: Space Place and Identity, in Films About the Land, was published by Wayne State University Press.

In collaboration with AMPD, Gillian has developed and redesigned two large-enrolment online film courses, which have earned recognition from international eLearning associations (IELA) and the Teaching Commons at York University (York’s nomination for the STLHE Brightspace /D2L Innovation Award). In 2017, she received the AMPD eLearning Teaching Award.

Dan Becker is the Educational Designer and Developer for the Faculty of Education. He works extensively with instructors to operationalize educational theory and current research within courses that utilize technology. Dan develops learning experiences that engage students, build communities of inquiry and employ meaningful assessment strategies, while avoiding excessive effort on the part of the instructor. His approach of simplicity and depth has produced a variety of courses that are enjoyed by instructors and students alike.

Mar
13
Fri
York University World Music Festival
Mar 13 @ 7:30 pm – 8:30 pm

York University’s World Music Festival is a cross-cultural celebration spotlighting musical traditions of five continents.

Produced by Professor Sherry Johnson this global sonic tour presents a sampling of several international cultures represented in York’s world music program.

The festival packs six free concerts into two days: March 12-13, 2020

The March 13th performance features The Balkan Music Ensemble in the Tribute Communities Recital Hall at 7:30 p.m.

Free admission.

Maps and Directions

Mar
14
Sat
Audition in Regina for York U
Mar 14 @ 11:00 am

Two actors in renaissance garb stare at eachother onstage.

Canada’s most comprehensive theatre program is coming to you!

Don’t miss this rare opportunity for an out-of-province audition with our faculty.

To audition you must first apply to York University. Admission to the program is based both on academic performance and artistic merit. Academic admissibility is assessed by York University, while artistic merit is evaluated by the Department of Theatre. Therefore, the application to the Theatre program is a two-step process.

Step 1: Apply to York University

It’s not too late to apply! You can apply through the Ontario Universities’ Application Centre (OUAC) or York University’s Application.

Do you have concerns about your eligibility?  Check out our Academic Requirements and select your academic history.

Step 2: Audition in Regina

Once you have applied to the program you will receive an email that will include your reference ID and directions for completing the Audition/Evaluation and Questionnaire. This email will be sent approximately 5-10 business days after you submit your application. If you are applying to more than one AMPD program, you must complete a separate Audition/Interview/Portfolio Review for each one.

The questionnaire, letter of recommendation and audition are intended to help us learn about your academic and artistic background, interests and goals as they relate to our Theatre program.

A $60 CAD evaluation fee is required to submit your questionnaire, then you will be able to book your audition.  The location details for our Regina audition will be made available in the drop-down menu on our booking page after you have paid your evaluation fee.

What to prepare:

i. Presentation

Our application process is designed to help us get to know you. What you choose to perform or present should reflect your interests, but does not imply that you will be limited to that area if you are accepted to the Department of Theatre. During our first year, all students experience foundation training in all areas of the program.

For the purposes of this evaluation, we prefer people to perform or present memorized or prepared material, rather than reading from a script or improvising. Please be prepared to receive redirection; it is our way of seeing if you can play. Please prepare no more than 3 minutes of material.

Applicants should come prepared to perform one of the following:

  1. a contemporary monologue – use only published plays – read the play and know the story, don’t use monologue books! (you may be asked questions about your character)
  2. a piece of your own dramatic writing
  3. a song (no accompanist) (some examples could be original, traditional, cover, standard, rap)
  4. a poem (some examples could be original, spoken word, slam, ASL)
  5. a comedy routine
  6. a dance piece (some examples could be street dance, traditional/folk dance, improvisational dance)
  7. a performance that does not use text (some examples could be puppets, installation, juggling)

OR

Make an oral presentation about one of the following:

  1. your experience directing or dramaturging a play in production or a play in development
  2. your experience in teaching theatre (acting, movement, improvisation)
  3. your involvement in a community event or project
  4. your experience in one of the following: producing, stage managing or building costumes, lights, sets, props for a performance piece
  5. a design portfolio showcasing your original design work in costumes, sets, lighting or props (some examples could be drawings, photographs, painting)
  6. an organized documentation of your own art or craft work (drawings, photographs, costumes, props, sets, paintings, furniture, metalwork)
  7. a critique of a performance or play or artistic installation that you have seen

ii. Personal Interview

Your 5 minute personal interview gives us the opportunity to find out more about you, your interests and expectations, as well as to answer any questions you may have for us. Be prepared to talk about your presentation. We suggest that you write down any specific questions, considerations and/or thoughts you may have about our program ahead of time.

iii. Writing Exercise

You’ll be asked one question about plays you’ve seen recently. This gives you the opportunity to express your own ideas about theatre, as well as to demonstrate your writing abilities.

If possible, try to see several different shows from a variety of companies before your evaluation so you have something to write about! You may also see one of our plays in the Theatre @ York season before you come.


If you find you’re unable to attend this audition, we also accept submissions online.  For more information about how to submit online, please visit our How To Apply page under “Step 2”.

Thank you for your interest in our Theatre program! We look forward to meeting you.

Mar
17
Tue
Theatre@York presents Elizabeth Rex
Mar 17 – Mar 21 all-day

Theatre @ York presents Elizabeth Rex by Timothy Findley directed by ted witzel

Timothy Findley’s Elizabeth Rex shares Good Night Desdemona’s interest in the Shakespearean canon.

Here, Findley imagines an intimate meeting between a group of players and Queen Elizabeth I, who has ordered a command performance of Much Ado About Nothing as she awaits the execution of a former lover, the Earl of Essex. With wit and poetry, Findley explores the entanglement of love, desire, and gender identity.

Performance Schedule:
Tuesday March 17th at 7:30 p.m. (Preview)
Wednesday March 18th at 1:00 p.m. (Preview)
Wednesday March 18th at 7:30 p.m. (Opening)
Thursday March 19 at 7:30 p.m. (Relaxed Performance)
Friday March 20th at 1:00 p.m. and 7:30 p.m.
Saturday March 21st at 2:00 p.m.
Saturday March 21st @ 7:30 p.m. (Closing)

Box Office Information
Previews: $7.00

All Other Performances:
Tickets: $20.00
Student: $12.00
Senior: $12.00

Groups of 10 or more: $10.00
(Group price applies when all group tickets are purchased at once for a single performance. Not available online, please phone or visit the box office)

Buy online or call 416-736-5888

Relaxed Performance: Thursday, March 19th at 7:30pm
A Relaxed performance is intended specifically to be sensitive to and accepting of audience members who may benefit from a more relaxed environment. The performance is designed to reduce anxiety and provide a safe, enjoyable experience, taking into account variable sensory, communication or learning needs and abilities. This means that there is a more casual-than-usual approach to front-of-house etiquette and we ask audience members to be aware of people’s needs to move or make involuntary noise.

Sold-out Show Advisory:  Cash only Rush Seats are usually available at the door for sold out shows. If the show is sold out, please check back as seats may become available.  There is NO GUARANTEE that seats will come available and the timing of seats coming available varies. We recommend booking early & coming early!
Nat Taylor Tuesdays presents an afternoon with Guy Maddin
Mar 17 @ 12:45 pm – 2:45 pm

Nat Taylor Tuesdays presents an afternoon with Guy Maddin

Nat Taylor Tuesdays presents an afternoon with Guy Maddin. Canada’s most idiosyncratic auteur director will present and discuss his remake of Hitchcock’s The Green Fog (2017), created with re-appropriated footage, and a short film on the absurdist writer Daniil Kharms. Bonus: a sneak preview of Guy’s current work-in-progress: his dream tribute for Federico Fellini’s centennial!

Please join us for this free screening.

Tuesday, March 17, 2020 | 12:45 – 2:30 PM
Nat Taylor Cinema (N102 Ross Building), York University
FREE + open to the public!

 

 

Mar
18
Wed
TIP (The Incubator Project) experimental & interactive performance works
Mar 18 @ 7:30 pm – Mar 20 @ 9:00 pm

The Incubator Project
VISION 2020

March 18 – 20, 2020

The Department of Dance presents TIP – The Incubator Project, exploring interdisciplinary, experimental and interactive performance works by AMPD faculty: Susan Cash, Gwenyth Dobie, Susan Lee, William Mackwood, Don Sinclair and Freya Björg Olafson.

Artistic Director: Jennifer Jimenez

Featuring dancers Paulo Alcedo and Michael Vintila with student lighting designer Samara Brown, students in the Digital Media Program and the York Dance Ensemble.

Explore interdisciplinary projects anytime between 7:30-9:00pm in the corridor and studios in Accolade East Building 2nd floor Department of Dance, York University

Tickets: Pay-What-You-Can or bring a non-perishable food item for the York student food bank.

Maps and Directions

Mar
24
Tue
Nat Taylor Tuesdays and York@50 presents Wonder Wanders
Mar 24 @ 12:45 pm – 2:45 pm

Nat Taylor Tuesdays and York@50 presents Wonder Wanders

Taiwanese multimedia artist Shu Lea Cheang presents Wonder Wanders, a four-episode mobi-web-serial that explores an off-the-mainstream nouveau queer generation. Artist in attendance.

Please join us for this free screening.

Tuesday, March 24, 2020 | 12:45 – 2:30 PM
Nat Taylor Cinema (N102 Ross Building), York University
FREE + open to the public!

 

 

Mar
25
Wed
Scenes by Design 2020: Exhibition of Stage Design
Mar 25 – Mar 28 all-day

Scenes by Design
The Theatre Department’s annual exhibition showcasing the work of the Design and Production area. Scenes by Design offers an insider’s look at the creative work done behind the scenes before the curtain rises on a stage production. The exhibition features original set designs and maquettes, costumes, props, scene painting, renderings, drawings and lighting design by students in the production/design area. Scenes by Design will also include the announcement of the 2020 – 2021 Theatre @ York Season.

Exhibition Hours:
Wed. March 25, 2020: 11:30 a.m. – 8:00 p.m. (Opening)
Thur. March 26, 2020: 11:00 a.m. – 8:00 p.m.
Fri. March 27, 2020: 11:00 a.m. – 8:00 p.m.
Sat. March 28, 2020: 10:00 a.m. – 2:00 p.m. (Closing)

Admission is free and all are welcome.

York Dances: Luminous Surroundings | Dusk and Dawn
Mar 25 – Mar 26 all-day

York Dances: Luminous Surroundings

Luminous Surroundings features exciting new choreography of 24 up-and-coming third year choreographers.

Artistic Director: Tracey Norman

Luminous Surroundings presents 24 original works in two 60-minute programs:
Dusk (Series A) – 7:00 pm
Dawn (Series B) – 8:30 pm

SERIES A
1) Katherine Romard – Reece Caldwell, Sydney Cobham, Emily Williams, Jadra Hannam
2 ) Jessica Vilneff – Blythe Russel, Jordan Gamble, Zoe Harrington
3) Alesha Bishop – Emma Gray Lamont, Sophie Goyette-Hamels, Emily Bernasiewicz, Cecilia Arva, Isabella French
4) Alyssa Passero – Alyssa Nunziato, Bridget D’Orsogna, Taylor Zeller
5) Paige deCastro – Zoe Harrington, Taylor Hooey, Olivia Burling, Blythe Russel, Derek Souvannavong
6) Madeline Feist – Ana Kapassaircs, Phoebe Herrington, Isabella Fortino, Kerry Halpin, Isabella French
7) Jasmine Almaguer Sheldrick – Reece Caldwell, Emily Williams
8) Jenna Begon – Kenyatta Brown, Sara Lopez, Jerry Bonkowski, Abbey Richens
9) Megan Millar – Olga Soukov, Rowan Labelle, Martina Levi, Hanna Pople
10) Isabella Fortino – Erica Coccia-Glowacki, Isabella Boaretto
11) Chantal Thibodeau – Daniel Souvannavong, Jessica Gindli, Leslie Woo, Talia Cooper, Emily Duckett, Jerry Bonkowski, Kerry Halpin
12) Jopang Simakajornboon – Alesha Bishop, Olivia Burling, Alyssa Passero

SERIES B
1) Alyssa Nunziato – Emily Weaver, Katherine Romard, Mackenzie Grantham, Allison Kingsbury, Emma Gray Lamont
2) Mackenzie Link – Isabella Boaretto, Celina Ferrar, Hollie Sargeant, Erica Coccia-Glowacki
3) Morgan Stasiewicz – Sophie Goyette-Hamels, Daniel Souvannavong, Bridget D’Orsogna
4) Jaymee Turner – Isabella Fortino, Talia Cooper, Emily Duckett, Mackenzie Grantham, Martina Levi
5) Jordan Gamble – Emma Gray Lamont, Abbey Richens
6) Derek Souvannavong – Jadra Hannam, Paige deCastro, Katherine Romard, Hannah Kimbell, Leslie Woo
7) Hannah Kimbell – Emily Weaver, Teagan Ariss, Sophie Goyette-Hamels, Eliza Pinney, Hannah Raymond, Kerry Halpin
8) Mikayla Alcombrack – Abbey Richens, Mackenzie Grantham, Phoebe Herrington
9) Bridget D’Orsogna – Jadra Hannam, Jasmine Almaguer Sheldrick
10) Teagan Ariss – Jenna Begon, Kenyatta Brown, Talia Cooper, Amy Williams
11) Carly MacDougall – Olivia Burling, Petra Bahlman, Emily Duckett
12) Allison Kingsbury – Reece Caldwell, Celina Ferrar, Hollie Sargeant

Admission is $10 for each program.
March 25 – 26, 2020
McLean Performance Studio (244 Accolade East Building)

Box Office  |  Map & Directions

Mar
26
Thu
FLUIDØ (2017, 80:00) in conversation with Shu Lea Cheang
Mar 26 @ 8:00 pm – 10:00 pm

FLUIDØ (2017, 80:00) in conversation with Shu Lea Cheang
A Co-Presentation with Pleasure Dome and
The Department of Cinema & Media Arts, School of the Arts, Media, Performance & Design

FLUIDØ is VIRUS, SEX, HACK, DRUG & CONSPIRACY

Set in the post-AIDS future of 2060, where the Government is the first to declare the era AIDS FREE, mutated AIDS viruses give birth to ZERO GEN – humans that have genetically evolved in a very unique way. These gender fluid ZERO GENs are the bio-drug carriers whose white fluid is the hypernarcotic for the 21st century, taking over the markets of the 20th century white powder high. The ejaculate of these beings is intoxicating and the new form of sexual commodity in the future. The new drug, code named DELTA, diffuses through skin contact and creates an addictive high. A new war on drugs begins and the ZERO GEN are declared illegal. The Government dispatches drug-resistant replicants for round-up arrest missions. When one of these government android’s immunity breaks down and its pleasure centers are activated, the story becomes a tangled multi-thread plot and the ZERO GENs are caught among underground drug lords, glitched super agents, a scheming corporation and a corrupt government. Check yourself in as a fluid junkie for a super hyper viral ride

Script/direction: Shu Lea Cheang
Produced by Shu Lea Cheang, Jürgen Brüning Filmproduktion and AMARD BIRD Films.

Cypher punk code hacking data hunting – human body the final frontier.

DATE: Thursday, March 26, 2020
TIME: 8:00 pm
LOCATION: Jackman Hall (AGO 317 Dundas St W, Toronto)
TICKET PRICES: $10 General admission | $5 Members rate or PWYC!
TICKETS: Click here for tickets

For more information please see Pleasure Dome link here
Pleasure Dome Presenting Experimental Media Art Since 1989

Biography
Shu Lea Cheang is an artist, filmmaker, networker working with various art mediums and film formats, including installation, performance, net art, public art, video installation, feature-length film and mobile web serial. As a net art pioneer, her project BRANDON (1998-1999) was the first web art commissioned and collected by the Guggenheim Museum in New York. She drafts sci-fi narratives in her film scenario and artwork imagination, crafting her own “science” fiction genre of new queer cinema, terming them eco-cybernoia (FRESH KILL, 1994), sci-fi cyberpunk (I.K.U., 2000), sci-fi cypherpunk (Fluidø, 2017). From homesteading cyberspace in the 90s to her present retreat to post net-crash BioNet zone, Cheang takes on viral love, bio hack in her current cycle of works. In 2019, she presented 3x3x6 at Venice Biennale 2019. Currently she is developing two projects: UNBORN0x9 (a hacking performance) and UKI (an interruptive cinema).
http://mauvaiscontact.info

Shu Lea Cheang is best known for her 2000 cult smash I.K.U. in which sensual cyborgs fuck for information and pleasure. The film, heavily influenced by Blade Runner, is perhaps the first cyperpunk movie to radically explore the possibilities of cybernetic sexualities. The pioneer in the field of media art embraced internet and hacking culture early on, recognizing both its capacity to enslave as well as liberate, mixing that with queer and sexually explicit imagery bringing something new to the cultural landscape. Cheang describes herself as both a “cyberhomesteader” and a “high-tech aborigine” hinting at meta-levels of not only her own life, but the worlds of her films.