[caption id="attachment_101678" align="aligncenter" width="768"] Apart, together, Vaiva Slapsys, 2018, 73×83, acrylic and thread on raw canvas[/caption]
affect / effect… features large scale abstract paintings and prints by 4th year Visual Art Studio student Vaiva Slapsys.
Everything that we do as people has an effect on someone else, and everything that we come into contact with affects us is some way. Our emotions are constantly shifting, able to be flipped one way or another in the blink of an eye, delicate and forever changing, easy to manipulate, affected by all that is around us. Although we all experience the unpredictability of our emotions as a normal part of our every day lives, we are often asked to put these feelings away as invalid or unimportant, and rarely do we have the opportunity to explore how we are feeling and truly reflect on it.
My work focuses on these emotional effects that we express with our bodies, and how that expression can, in turn, affect another. Using large motions with brushes, my hands, other various assorted tools, and pouring methods, my canvas is stained and marked in immediate ways that reflect the emotions that I feel while I work, and invite viewers to connect with these emotions and reflect on what it brings up for them. The size of the work envelops the viewer, allowing them to wholly sit with what they feel and to give them the opportunity to reflect. My work also includes intricate detail through the use of sewing, embroidery and detail painting work that asks the viewer to come closer, to pay attention, and to really allow themselves to be engrossed by what they see and what they feel.
The show will also include print media that complements the large abstract paintings. My print-making focuses on the effect that a place or time can have on memory. Nostalgic screen prints filled with photographic imagery, whimsical colours and both representational and abstract shapes, bring us back to a specific time or place in our memories and ask viewers to reflect on what kinds of feelings are being harboured there.
Monday to Friday, 9am – 4pm
Admission is free and all are welcome.
[caption id="attachment_101732" align="aligncenter" width="600"] My Body by Deana Gisborne (2019), 43’ x 39.5’, Graphite on Paper[/caption]
The State of Not Knowing is an exhibition works on paper by Ernesto Hidalgo (print media) and Deanna Gisborne (painting & drawing).
Artist statement: Ultimately, a search for our complicated identities is at the heart of our work, whether this is manifested by obscuring the body, multiplying form, collapsing into a writhing vortex or creating dream-like worlds where animals and humans intersect. We try to reconcile contradictions in ourselves, made possible through the unbounded language of art. All of this probing of the self-conscious mind is expressed in bodies, trying from all angles to reach that same conclusion and achieve resolution: Who am I, and how can I grasp this ever-evolving self? This question is, of course, unanswerable, but we continue this cycle indefinitely, because we are human, and we are curious.
Monday-Thursday, 9am – 4:00pm
[caption id="attachment_101733" align="aligncenter" width="600"] Felt, by Ernest Hidalgo (2019) Screen print on rag paper; mounted on foamcore. 20” x 28”[/caption]
Graduate Colloquium with Scott Hessels
Mediated Earthworks: Natural Force and New Media Art
Friday, October 25, 2019 | 1:00PM-2:30PM
MDes Lab in the Department of Design,
(Room #4023 Victor Phillip Dahdaleh Building)
POP UP Exhibition: Sensorium Flex Space
Wheelchair accessible | Full access details email@example.com
In this graduate colloquium Scott Hessels will present his sculptural and installation work that incorporates natural forces either directly or through sensor technologies and place his exhibited kinetic works in a context of earthworks and sustainability awareness. This will be followed by graduate studio visits with six students.
To register for this event please email firstname.lastname@example.org
Doug Van Nort with special guest Anne Bourne
In this on going series Doug Van Nort performs with curated and invited guests.
This first event will feature an electronics and cello duo with Doug Van Nort and longtime friend and collaborator, Anne Bourne.
All are welcome to come and listen in this immersive sonic space.
Imagine the power of 200 voices raised in chorus. Now imagine that power expressed through gospel music.
The York University Gospel Choir joins forces and voices with three other choirs in a rafter-raising celebration of gospel music as part of the twelfth annual Gospel Inter-Varsity Explosion (G.I.V.E).
Music Professor Karen Burke, founding director of the York University Gospel Choir, is the powerhouse behind G.I.V.E. Joining the York choir is the U of T Gospel Choir conducted by Lisa Toussaint, the McMaster Gospel Choir led by Pascal Adesina and Timi Agiri and the Humber Gospel Choir conducted by Brad Klump.
The concert will feature performances by all four choirs, first individually and then as a massed Gospel choir co-directed by Burke and Tousssaint and backed by a professional rhythm section directed by Corey Butler.
“G.I.V.E. is a unique platform in Canada, bringing together and showcasing gospel choirs from various Canadian post-secondary institutions. The individual performances are so exciting, and then when the choirs all sing together on stage — it’s an experience not to be missed!” says Burke.
A renowned singer, choral director and composer in the field of African-American vocal music, Burke is recognized as an authority on the history and performance practices of gospel music. She has worked with many major choral ensembles and organizations, including the Toronto Mendelssohn Choir and Youth Choir, the Ontario Music Educators’ Association, Ontario Choral Federation/Choirs Ontario and Poland’s Pro Novis Foundation. She co-founded the Juno Award-winning Toronto Mass Choir, a gospel choir that has been touring and recording in Canada since 1988.
[caption id="attachment_99589" align="alignright" width="263"] The Ashley Plays. Photo: Judith Rudakoff[/caption]
The Ashley Plays is an annual performance cycle of short, devised, site-specific monodramas, written by the playwrights and developed by the dramaturgs in the 3290 and 4290 Playwriting & New Play Dramaturgy courses taught by Professor Judith Rudkoff in York University’s Department of Theatre.
Each piece in the cycle is thematically linked, relates to the site in which it takes place, and involves a character named Ashley,
The audience is divided into three pods of moving spectators. Each group is led through the cycle by a guide to experience the monodramas up close.
Audience members are asked to assemble outside the Joseph G. Green Studio Theatre in the lobby of the Centre for Film and Centre. Please arrive by 12:45 pm for instructions and to be grouped into pods.
While admission is free, voluntary donations will be collected for Oxfam Unwrapped, an online charity from which we will be purchasing life-changing resources for communities worldwide.
York University music students showcase their talent.
Free admission. Everyone welcome.
Presented by MFA Directing Candidates, Mandy Roveda and Philip Geller, featuring the 3rd year acting conservatory, Iphigenia 2.0 by Charles Mee is a modern reimagining of the Greek tragedy, Iphigenia in Aulis. Stuck in between a hastily prepared, royal wedding and an army on the verge of war, Iphigenia weathers a storm of deception before finally taking her destiny into her own hands. This show tests the strength of loyalty and duty to family, friends, and country in an unsparing environment.
October 31 – 7:00 PM
November 1 – 2:00 PM | 7:00 PM
November 2 – 7:00 PM
CFT 139: Centre for Film and Theatre
Admission is free. Signup sheet is posted outside the studio door.
Are you considering post-secondary studies in Design or Visual Art?
Visit our booth at National Portfolio Day!
Bring a portfolio of your best work and get one-on-one feedback from our faculty members.
Our professors are professional artists and designers who practice and exhibit their work internationally. They’ll be on hand to review your work and give you useful tips on perfecting your portfolio.
Exceptional portfolios will be awarded certificates exempting you from our Portfolio Questionnaire process.
You’re welcome to drop in anytime during the session. Doors open at 11:45 am.
Pre-registration is not required, and admission is free.
We look forward to meeting you and seeing your work!
World Premiere of The Sun, The Wind and the Man with the Cloak
by Stephanie Martin in Toronto, Nov 2, 2019
New cantata based on Aesop’s fable about an epic contest
between the Sun and the Wind.
Pax Christi Chorale Artistic Director David Bowser is pleased to announce
the upcoming world premiere of The Sun, the Wind, and the Man with the Cloak, a
cantata by Canadian composer and York University music professor Stephanie Martin,
with words by York University graduate, Paul Ciufo.
The work is based on a fable by the ancient Greek storyteller Aesop (c. 620-564 BCE),
in which the Sun competes with the Wind to see which of them can make the Man
remove his cloak. The Wind blusters and rages, causing the Man to pull his cloak more
tightly around his body. Then the Sun sends down warming rays, and the Man
eventually removes his cloak of his own free will.
The story is timeless, entertaining and often light-hearted, yet its moral — gentle
persuasion is more effective than brute force — is immediately understood by all ages.
The fable remains a powerful metaphor and a lesson for resolving conflict, and has
been retold countless times and in myriad ways over the millennia.
In this new work, The Sun, The Wind and The Man are portrayed by three superb
soloists; mezzo-soprano Catherine Daniel sings the part of The Sun; baritone Brett
Polegato portrays The Wind; and tenor Asitha Tennekoon performs the role of The Man.
The Sun and The Wind are each encouraged by their “team-Sun” and “team-Wind”
choral counterparts. They are joined by the Intermediate Chorus of the Canadian
Children’s Opera Company.
“It is a uniquely rewarding experience to premiere a new composition, to work with the
composer and realize the score for the first time,” says David Bowser. “We are thrilled to
share this music in the world premiere on November 2 at Yorkminster Baptist Church!”
To round out the program, Bowser has chosen favourite works from the modern
English choral repertoire. Soprano Allison Walmsley will join the other soloists and choir
for Ralph Vaughan Williams’ Serenade to Music and Benjamin Britten’s Rejoice in the
Lamb. The Pax Christi Chamber Choir will sing As Torrents in Summer and My Love
Dwelt in a Northern Land by Sir Edward Elgar.
“I am very proud that Pax is an organization which supports new musical creations,”
says Bowser. “We have committed to performing newly commissioned works by
Canadian women composers over three years. After last season’s enormous success of
Miziwe… (Everywhere…) by Odawa First Nation composer Barbara Croall, the first
known oratorio in the Ojibwe language, we turn our focus to our second commission,
Stephanie Martin’s The Sun, the Wind and the Man with the Cloak.”
The premiere of The Sun, the Wind and the Man with the Cloak will take place at 7:30
p.m., November 2, 2019 at Yorkminster Park Baptist Church, 1585 Yonge Street,
all from one is an exhibition of large scale found object paintings by 4th year visual art studio student Catherine Hois exploring the artist’s fascination with the everlasting connection of all living things to the earth.
Artist Statement: This group of works represents my belief that we are protected and taken care of by the earth, because we are connected to the earth as living beings. Why are humans provided everything we need to survive and live a healthy life on earth? Is it coincidence? I believe that is it not. All species on this planet are genetically connected; we are a part of the harmony and flow of life, not apart from it as superior beings, and all atoms that make up life are in constantly rearranging from one living thing to another. Humans are organisms that consist of many functions; we ingest food, absorb nutrients, and excrete waste, we have senses, we have memories, we get sick when we are poisoned, along with many other functions. I think of Mother Nature; life itself as one organism with many functions as well; similar to our own bodies. My inspiration sprouts from these themes and phrases: Intertwine, interconnected, “circle of life,” and “All from one.”
My art works connect to these concepts with the materials I use, the colours, the gestural brush strokes, and the overall unity that I aim for in every piece. The found objects I use are all recycled materials, for example plastic bags, water bottles, plastic containers, old toys, old Christmas decorations, egg cartons, old Tupperware, broken instruments (the list goes on and on). My idea was not only to be less wasteful, but to bring life to the items that would have gone into the trash and disguise “garbage” as lively works of art. In creating these works, I tried to be as environmentally friendly as possible, from using empty paint containers, paint rags, coffee cups, and even snack wrappers; all waste that I produced throughout my painting process.
Monday to Friday, 9am – 4pm
Admission is free and all are welcome.
[caption id="attachment_101740" align="aligncenter" width="700"] Detail from A Lament, by Kristen Elizabeth Donoghue-Stanford, 2019, Acrylic Yarn, 15ft x 5ft x 10ft[/caption]
Lifelines (Hilda) is a solo sculpture and time based art installation by Kristen Elizabeth Donoghue-Stanford focused on the theme of lamentation and mourning of someone who is no longer present.
Artist statement: The exhibition will focus around ideas of life, death, loss, and remembrance, interplaying with one another. 87 knitted tubes in neutral colours will be suspended within the gallery space, arranged to create guided pathways and a knitted canvass for video projection.
The installation will be curated in order to showcase a metaphorical image of the lifelines of a particular life; that of a woman named Hilda, whom the footage collected belonged to. 87 knitted tubes will be used within the installation showcasing the number of years Hilda lived until she passed away on January 6th, 2019. The video shows Hilda and her family throughout several years of their lives and will be played on loop throughout the exhibition. A slight distortion will be used in order to hide or blur certain images within the video frame, as well as the projection onto the knitwork will add its own distortion. This is meant to symbolize the memories we don’t always get to keep with us, even when someone has left us. As one of Hilda’s favourite pastimes and a skill that she passed onto the next generation of her family, the knitwork could not more perfectly summarize the complicated, yet beautiful framework of a life. In this installation we experience the feelings of remembrance and loss and face the concepts of life and death as we witness the lifelines of somebody who is no longer with us through the process of lamenting. It opens the possibility for reflection and the ability to express gratitude towards such a life.
Monday-Thursday, 9am – 4:00pm
Reception: Thursday, November 14, 2019 from 5:30 p.m. – 7:30 p.m.
Monday, November 4th, 2019
Sensorium Research Loft (4th Floor of the CFA, Room M333)
You are invited to the inaugural Games Night co-organized by the York Popular Culture Working Group, Sensorium: Centre for Digital Arts and Technology and the Department of Computational Arts! This recurring event aims to encourage discussions of digital practices in popular culture by engaging faculty and students in the experience of play.
Journey: A multi-award winning indie adventure game developed by Thatgamecompany and published by Sony Computer Entertainment. In Journey, the player controls a robed figure in a vast desert, traveling towards a mountain in the distance. Other players on the same journey can be discovered, and two players can meet and assist each other, but they cannot communicate via speech or text and cannot see each other’s names until after the game’s credits. The only form of communication between the two is a musical chime, which transforms dull pieces of cloth found throughout the levels into vibrant red, affecting the game world and allowing the player to progress through the levels. https://thatgamecompany.com/journey/
Everything: An interactive experience where every object in the Universe is a playable character – from animals to planets to galaxies and beyond. Travel between outer and inner space, and explore a vast, interconnected universe of things without enforced goals, scores, or tasks to complete. Everything is a procedural, AI-driven simulation of the systems of nature, seen from the points of view of everything in the Universe. https://store.steampowered.com/app/582270/Everything/
Untitled Goose Game: It’s a lovely morning in the village, and you are a horrible goose. Made by House House and friends, and published by Panic. https://goose.game/
Manifold Garden: Rediscover gravity and explore an Escher-esque world of impossible architecture. Witness infinity in first-person, and master its rules to solve physics-defying puzzles. Cultivate a garden to open new paths forward, where an eternal expanse awaits. https://manifold.garden/#home
The Quiet Year: The Quiet Year is a map game. You define the struggles of a community living after the collapse of civilization, and attempt to build something good within their quiet year. Every decision and every action is set against a backdrop of dwindling time and rising concern. The game is played using a deck of cards – each of the 52 cards corresponds to a week during the quiet year. Each card triggers certain events – bringing bad news, good omens, project delays and sudden changes in luck. At the end of the quiet year, the Frost Shepherds will come, ending the game. https://buriedwithoutceremony.com/the-quiet-year