Events

Nov
25
Mon
FREE drop-in yoga classes
Nov 25 2019 @ 3:00 pm – Feb 1 2020 @ 4:00 pm
FREE drop-in yoga classes @ Senior Common Room, 021 Winters College

Mark your calendar!!! Starting Monday, September 16th, do your body some good by coming to our FREE drop-in yoga classes. Don’t forget to bring a yoga mat and water bottle.

Dec
2
Mon
FREE drop-in yoga classes
Dec 2 2019 @ 3:00 pm – Feb 8 2020 @ 4:00 pm
FREE drop-in yoga classes @ Senior Common Room, 021 Winters College

Mark your calendar!!! Starting Monday, September 16th, do your body some good by coming to our FREE drop-in yoga classes. Don’t forget to bring a yoga mat and water bottle.

Jan
20
Mon
CASTED
Jan 20 – Feb 1 all-day

CASTED
Artists: Kristen Elizabeth Donoghue-Stanford, Rebecca Garcia Echeverria, Allison Helen Garrity, and Esther Min-Ji Kim
Medium: Sculpture (Bronze)
Location: Eleanor Winters Art Gallery (129 Winters College)
Dates: January 20th – February 1st, 2020
Reception: Tuesday, January 21st, 2020 6:00pm – 8:00pm

CASTED is a sculpture exhibition fully dedicated to works produced in bronze. The four artists, Kristen Elizabeth Donoghue-Stanford, Rebecca Garcia Echeverria, Allison Helen Garrity, and Esther Min-Ji Kim curated a collection of their separate works to create this group exhibition. 

The four women artists have showcased in CASTED an exhibition in bronze; a historically male associated material. As four female artists, they navigate the conventions of this medium in order to wield it to their individual  artistic practices and challenge the associations of materiality in relation to creation and process. 

In an exploration of this materiality, themes are crossed, met, and distanced with one another. Between the works of the four artists, a conversation is opened on the significance of bronze and its impact upon object and permanence. In choosing to cast in bronze, the artists subject themselves to be represented in their work, calling into question immortalization and monumentality of self.

In representations of the body, of memory, of empowerment, and of self the artists invite viewers to cast opinions and inferences of their own upon the works.

ARTIST BIOS

Kristen Elizabeth Donoghue-Stanford is a sculpture artist currently in her final year of her Bachelor of Fine Arts Honours Degree in Visual Arts (Studio) at York University in Toronto, Ontario. Her work focuses upon the themes of femininity, gender dichotomy, and on connections between the past and present as is expressed through the processes of bronze casting, metal fabrication, installation, textile and mixed media arts. 

Rebecca Garcia Echeverria is in her final year of the BFA Honours Degree at York University. She is a First-Generation Canadian-Salvadoran exploring the reconstruction of her memories, identity, and self through means of process based art forms that include metal fabrication, bronze-casting, and film photography.  She recently won a place  in the 2019 Graduate showcase at Gallery 1313 along with the AGYU Best in Show Award for her work “Self-Portrait (Camera) which is currently on display in CASTED.

Allison Helen Garrity often considers herself to be a part of the art that she creates. The process of constructing her thoughts into the physical universe fuses together the tangible and intangible parts of her. She is a  21-year-old Canadian artist, currently in her 4th and final year in the Visual Arts program at York University. She is a prop maker, sculptor, artist and a seeker of exploration. Her work is focused around a variety of materials and processes of the Foundry, Metal working and patterning. As she explores her desire for playfulness, she invite ideas unbound by the adult self, Dissociating assumptions on gender, life and time.

Esther Min-Ji Kim is a Canadian born Korean artist currently in her 5th year at York University majoring in Visual Arts (Studio). She explores concepts of the body through sculptural forms, utilizing her practices of metal fabrication, foundry, mould making and the contrast in medium and scale to evoke ambiguity in a tangible form. Inspired by thoughtful investigation of philosophies of the mind and its relation to the body, her work challenges the viewer’s commonly held assumptions about the world. She opens possibilities for interpretation, instigating cognitive and bodily awareness of the viewer’s subjective self.

 

 

Painting Area Group Exhibition
Jan 20 – Jan 30 all-day

 

[caption id="attachment_99893" align="aligncenter" width="650"]Artwork from 'Painting and Print Media' Exhibition at the Gales Gallery Photo of the 2017 Painting Group Show Photo by Helen Olcott[/caption]

Group show featuring paintings by upper-level students in the Department of Visual Art & Art History.

Gallery Hours
Monday – Thursday, 9am-4:00pm

Free admission

Cassandra Tremblay presents Learning to Grow
Jan 20 @ 10:00 am – Jan 30 @ 3:30 pm

Learning to Grow

Artist: Cassandra Tremblay (3rd Year)

Medium: Printmaking (monoprints, intaglio, screen)

Location: Special Projects Gallery (102 Joan & Martin Goldfarb Centre for Fine Arts)

Dates: January 20-30, 2020

Closing Reception: Wednesday, January 29th @ 2:00pm – 3:30pm

Artist’s Statement:
My work in this series explores the motif of individual growth and the mental challenges, doubt, and confusion that comes with it. Often, the idea of success is romanticized, and we believe that people are simply talented, or just plain lucky. In reality, success is years of hard work, dedication, discipline, and practice. When people see this series, I want them to be reminded that everyone goes through the struggles of learning and chasing their idea of success, but most importantly, that it takes a long time, and this time is just as important as when you finally are an expert. The medium of monoprinting comes into play when thinking about our ever changing perspective. It also highlights the elements of randomness, surprise, and serendipity that we encounter in our lives through the process of physically printing the piece. Each unique print not only represents the growth of learning, but my own artistic journey and the discovery of my passion.

Artist’s bio:
Cassandra Tremblay has been creating art since she could remember. Currently she is in her third year of study at York University and has taken an interest in printmaking, especially monoprinting as it combines painting and drawing with a larger, and more involved, process. Striving for perfection is something she has always struggled with, so this show is a way of working through that while also reminding others that there is beauty in struggling.

Hibiscus
Medium: Watercolour Monoprint
Year: 2018
Dimensions: 22×15″

 

 

 

Jan
22
Wed
Wavelengths: Group Exhibition
Jan 22 – Jan 30 all-day

WAVELENGTHS

“Wavelengths” serves as a celebration of the achievements of our graduating painters of tomorrow. It is a coming together of a diverse array of artistic styles and sensibilities. Most of all, it is a clear illustration that though we may take our creative impulses in different directions, we are always on the same wavelength; that of innovation, expression, and community.

“Wavelengths” is running from January 22nd-30th in the Gales Gallery.

GALES GALLERY 
Location: 105 Accolade West Building, York University
Gallery Hours
Monday – Thursday, 9am-4:00pm

Free admission

Wavelengths: Featured Artists
Emilie Lowe
Deanna Gisborne
Liz Tsui
Alicia Takach
Lin Zhu
Rui Cai
Liying Yang
Mello Fang
Sarah Kowalchuk
Alexandra McDougall
Deledda Wong
Yu Yin
Alexa Everest
Li Huang
Alissa Condotta
Cassandra Mostbacher
John Lawler
Sharon Massey
Miri Rozenvain
Cassandra Panaro
Olivia Bagnoli
Julian Gullone
Azka Batool
Kanisha Dabreo

 

Jan
30
Thu
Faculty Spotlight: To Fill the Dim Pause: Offerings for St. Cecilia – Compositions by Michael Coghlan
Jan 30 @ 12:30 pm – 1:30 pm

Faculty Spotlight Series
To Fill the Dim Pause: Offerings for St. Cecilia

Compositions by Michael Coghlan

Michael Coghlan, piano
William Thomas, trumpet
Patricia Wait, clarinet
Ben Bolt Martin, cello
Leslie Fagan, soprano
Thursday, Jan. 30, 12:30 p.m.
Tribute Communities Recital Hall – Free

Admission is free.  Maps & Directions

 

Feb
3
Mon
Disruptive Design and Digital Fabrication Exhibition
Feb 3 – Feb 13 all-day
The Disruptive Design and Digital Fabrication exhibition explores the relationship between digital fabrication processes and social design that increasingly revolve around prototyping and iterative testing.  Digital tools are today ubiquitous in academic and community settings, yet engaging with these goes beyond any particular technologically enhanced capacity.  In what Katherine Hayles calls a ‘Regime of Computation’, works today increasingly involve a co-evolution of life and mind, individual and society.  The ‘disruptive’ technologies that will be introduced reflect on the infrastructural machinic processes that are pervasive in digital culture today, and reveal biases and stereotypes in their design through alternative networking of edge sensing, assistive technologies, Google Homes, wikiLeaks, artscience visualizations and more. 
 
Through the symposium, we hope to create an opportunity for artists and theorists to engage in a discussion of critical making, accountability and experiential learning through their works and research projects.  The exhibition provides an experiential context to their works and for visitors to gain experience into their working processes.  

 

Exhibition features works by :

Garnet Hertz, Mark-David Hosale, Evan Light, Lorena Salome, Robert Towmey and more.

house machine

Sensorium General Writing Group
Feb 3 @ 11:30 am – 2:30 pm
Sensorium General Writing Group

Join us for the weekly Sensorium General Writing Group in the Sensorium Research Loft! These groups provide an opportunity for graduate students to delve into current and ongoing writing work, receive feedback from peers and generate material in a focused and supportive environment.

Current General Writing Group dates for the Winter Term are as Follows: 

Friday, January 10th – 12:00-3:00pm

Monday, January 13th – 11:30am-2:30pm

Monday, January 20th – 11:30am-2:30pm

Monday, January 27th – 11:30am-2:30pm

Monday, February 3rd – 11:30am-2:30pm

Monday, February 10th – 11:30am-2:30pm

Location: The Sensorium Research Loft, 4th Floor of the Joan and Martin Goldfarb Centre for Fine Arts (Room M33)

The Sensorium Research Loft is Wheelchair Accessible | Full Access Details at sensloft@yorku.ca 

Music @ Midday: Classical Instrumental Concert
Feb 3 @ 12:30 pm – 1:30 pm

The Music at Midday series presents a recital featuring student soloists in the classical performance program.

Admission is free. Everyone welcome.

Maps & Directions

Feb
4
Tue
Disruptive Design and Digital Fabrication Symposium
Feb 4 @ 10:00 am – 1:30 pm
The Disruptive Design and Digital Fabrication exhibition explores the relationship between digital fabrication processes and social design that increasingly revolve around prototyping and iterative testing.  Digital tools are today ubiquitous in academic and community settings, yet engaging with these goes beyond any particular technologically enhanced capacity.  In what Katherine Hayles calls a ‘Regime of Computation’, works today increasingly involve a co-evolution of life and mind, individual and society.  The ‘disruptive’ technologies that will be introduced reflect on the infrastructural machinic processes that are pervasive in digital culture today, and reveal biases and stereotypes in their design through alternative networking of edge sensing, assistive technologies, Google Homes, wikiLeaks, artscience visualizations and more. 
 
Through the symposium, we hope to create an opportunity for artists and theorists to engage in a discussion of critical making, accountability and experiential learning through their works and research projects.  The exhibition provides an experiential context to their works and for visitors to gain experience into their working processes.  

Panel 1 – Between Disruption and Inclusion: an Internet of Difference
Jutta Treviranus , Garnet Hertz, Evan Light, Robert Twomey
Discussant: Lorena Salome

Panel 2 – Assistive and Sustainable Design

Deborah Fels, Shital Desai, Lauren Sergio and Joel Ong
Discussant: TBC

 

Gospel in the Lounge
Feb 4 @ 12:30 pm – 1:30 pm

Please join us for an uplifting midday concert featuring the York University Gospel Choir.

Directed by: Karen Burke

Nat Taylor Tuesdays presents Fracas and other nature films
Feb 4 @ 12:45 pm – 2:45 pm

Nat Taylor Tuesdays presents Fracas and other nature films

And a time when the natural world is under unprecedented threat, a series of short documentaries from France that challenge our conventions about nature films.

Please join us for this free screening.

Tuesday, February 4, 2020 | 12:45 – 2:30 PM
Nat Taylor Cinema (N102 Ross Building), York University
FREE + open to the public!

 

 

Feb
5
Wed
Winter Lunchtime Seminar Series featuring Associate Professor Graham Wakefield
Feb 5 @ 11:30 am – 12:30 pm

Winter Lunchtime Seminar Series featuring Associate Professor Graham Wakefield

Wednesday, February 5th, 2020
11:30am-12:30pm
Sensorium Research Loft
(4th Floor CFA, Room M333)
RSVP to sensinfo@yorku.ca 
Light refreshments will be served!

Please join us Wednesday, February 5th for our next Winter Lunchtime Seminar Series which will feature a research talk by Canada Research Chair and Associate Professor Graham Wakefield!

About Graham Wakefield

Graham Wakefield joined York University’s School of the Arts, Media, Performance & Design in 2014. He is appointed to the Department of Computational Arts, and holds a Canada Research Chair in Computational Worldmaking. He is the founding director of the Alice Lab in AMPD, a facility dedicated to the development of computationally literate art practice and  creative coding software for the construction of responsive artificial worlds experienced through rapidly emerging mixed/hybrid reality technologies. Dr. Wakefield is also a Core Member of the VISTA program.

Dr. Wakefield is an artist-researcher whose contributions include both scholarly research and the creation of works of art. His research-creation is founded upon a trans-disciplinary academic training in interactive art, music, virtual/augmented reality, mathematics and philosophy, partnered with extensive professional practice in software engineering for creative coding in audio-visual, interactive and immersive media.

Graham is an internationally exhibited artist of immersive and mixed-reality art installations, including the series Artificial Nature, an ongoing collaboration since 2007 with artist/researcher Haru Ji. These artworks present experiences of nature as it could be, through interactive worlds in which participants become one more component of an ecosystem, linking the generative open-endedness of biology and computation through aesthetic experience. The installations have been exhibited in numerous venues and events internationally including La Gaîté Lyrique/Paris andZKM/Germany, and have been recognized in peer-reviewed publications as well as organizations such as SIGGRAPH and VIDA.

Dr. Wakefield’s research is documented in numerous leading conferences, including a best paper award at NIME, journals including IEEE Computer Graphics & ApplicationsInternational Journal of Human-Computer Studies and Computer Music Journal, as well as popular texts such as O’Reilly’s Beautiful Visualization. Graham played a central role in the development of software systems and authoring content for the AlloSphere: a three storey spherical multi-user immersive instrument in the California Nano-Systems Institute. Graham is also a software developer for Cycling ’74, co-authoring the Gen software used by tens of thousands in the media arts environment Max/MSP/Jitter.

Artist website               Alice Lab website

About the Winter Lunchtime Seminar Series

The Winter Lunchtime Seminar Series is a weekly event which aims to foster interconnectivity between faculty, graduate students, visiting scholars and artists within the School of Arts, Media, Performance and Design. This casual, lunch time seminar series will host a variety of graduate student presentations, faculty presentations and pitch sessions, open luncheons, topical discussions, invited speakers and external associations or organizations looking to interface with our community and share their work.

__________________

The Sensorium Research Loft is wheelchair accessible. For accessibility details, please email sensloft@yorku.ca.

Goldfarb Lecture 2020: “No Nowhere” with Jenifer Papararo
Feb 5 @ 5:00 pm – 7:00 pm

Goldfarb Lecture 2020
Jenifer Papararo
Director/Curator, Art Gallery of York University

“No Nowhere”
Jenifer Papararo will speak about her work as a curator of contemporary art and her interest in locating art and exhibitions as situations tethered to place and shared experience. She will discuss institutional knowledge as developed by the artists she works with, harnessing their approaches to redefine the presumed safety net of museums and galleries that ubiquitously function to be any-place, any-where, any-time. Papararo considers the impossibility of this nowhere.

Wednesday, February 5, 2020
5:00 p.m.
Room 312 Goldfarb Centre for Fine Arts
York University

Jenifer Papararo is the recently appointed Director / Curator at the Art Gallery of York University, beginning her tenure in 2020. She comes to the AGYU, from Plug Institute of Contemporary Art, Winnipeg, where she was the Executive Director. She was previously, the Curator at the Contemporary Art Gallery, Vancouver and the Program Director at Mercer Union, Toronto. She has curated numerous solo and group exhibition. She initiated STAGES biennial in 2017 a temporary public art exhibition of sculpture and performance in Winnipeg, and recently curating the 2019 iteration, including Raymond Boisjoly, Daniel Buren, FASTWÜRMS, Kenneth Lavallee, Joar Nango, Andrea Roberts and Silke Otto-Knapp. In 2018 at Plug In ICA, she worked with Skeena Reece, DIS.art, BUSH gallery, Naufus Ramirez-Figueroa, Przemek Pyszczek, and co-curated the group exhibition Days of Reading: beyond this state of affairs. She has written numerous curatorial texts and edited various exhibition related books: including My Best Thing by Frances Stark and the exhibition catalogue Enter the Landscape, that focuses on the female or queer body, its representation and relation to the land. Papararo is a founding member of the artist and curatorial collective Instant Coffee, whose work has been exhibited at One +J in Seoul, South Korea; Vancouver Art Gallery; the Toronto Sculpture Garden; the Yerba Buena Center, San Francisco; Subvision, Hamburg; Encuentro Internacional, Medellín; Sparwasser HQ, Berlin; the Americas Society, New York; and the 2nd Tirana International Biennial, Albania and are represented by MKG 127, Toronto.