all from one is an exhibition of large scale found object paintings by 4th year visual art studio student Catherine Hois exploring the artist’s fascination with the everlasting connection of all living things to the earth.
Artist Statement: This group of works represents my belief that we are protected and taken care of by the earth, because we are connected to the earth as living beings. Why are humans provided everything we need to survive and live a healthy life on earth? Is it coincidence? I believe that is it not. All species on this planet are genetically connected; we are a part of the harmony and flow of life, not apart from it as superior beings, and all atoms that make up life are in constantly rearranging from one living thing to another. Humans are organisms that consist of many functions; we ingest food, absorb nutrients, and excrete waste, we have senses, we have memories, we get sick when we are poisoned, along with many other functions. I think of Mother Nature; life itself as one organism with many functions as well; similar to our own bodies. My inspiration sprouts from these themes and phrases: Intertwine, interconnected, “circle of life,” and “All from one.”
My art works connect to these concepts with the materials I use, the colours, the gestural brush strokes, and the overall unity that I aim for in every piece. The found objects I use are all recycled materials, for example plastic bags, water bottles, plastic containers, old toys, old Christmas decorations, egg cartons, old Tupperware, broken instruments (the list goes on and on). My idea was not only to be less wasteful, but to bring life to the items that would have gone into the trash and disguise “garbage” as lively works of art. In creating these works, I tried to be as environmentally friendly as possible, from using empty paint containers, paint rags, coffee cups, and even snack wrappers; all waste that I produced throughout my painting process.
Monday to Friday, 9am – 4pm
Admission is free and all are welcome.
[caption id="attachment_101740" align="aligncenter" width="700"] Detail from A Lament, by Kristen Elizabeth Donoghue-Stanford, 2019, Acrylic Yarn, 15ft x 5ft x 10ft[/caption]
Lifelines (Hilda) is a solo sculpture and time based art installation by Kristen Elizabeth Donoghue-Stanford focused on the theme of lamentation and mourning of someone who is no longer present.
Artist statement: The exhibition will focus around ideas of life, death, loss, and remembrance, interplaying with one another. 87 knitted tubes in neutral colours will be suspended within the gallery space, arranged to create guided pathways and a knitted canvass for video projection.
The installation will be curated in order to showcase a metaphorical image of the lifelines of a particular life; that of a woman named Hilda, whom the footage collected belonged to. 87 knitted tubes will be used within the installation showcasing the number of years Hilda lived until she passed away on January 6th, 2019. The video shows Hilda and her family throughout several years of their lives and will be played on loop throughout the exhibition. A slight distortion will be used in order to hide or blur certain images within the video frame, as well as the projection onto the knitwork will add its own distortion. This is meant to symbolize the memories we don’t always get to keep with us, even when someone has left us. As one of Hilda’s favourite pastimes and a skill that she passed onto the next generation of her family, the knitwork could not more perfectly summarize the complicated, yet beautiful framework of a life. In this installation we experience the feelings of remembrance and loss and face the concepts of life and death as we witness the lifelines of somebody who is no longer with us through the process of lamenting. It opens the possibility for reflection and the ability to express gratitude towards such a life.
Monday-Thursday, 9am – 4:00pm
Catch a rising wave of electrifying film talent!
Now in its 17th year, CineSiege presents a collection of short films – riveting fiction, cutting-edge alternative works and provocative documentaries – selected by leading lights of Canadian film and media culture.
The films selected for CineSiege 2019 were chosen from a shortlist, culled from 186 productions made last year.
The nominees were reviewed by five jurors: Maya Bankovici, Franci Duran, Stuart Hands, Adina Pintilie and Ravi Srinivasan.
Jurors will be in attendance at CineSiege to introduce the winning films and explain why they were selected.
CineSiege is made possible through the generous support of
Immediately following screening (approx. 10:30pm)
The Monarch Tavern
12 Clinton St, Toronto, ON M6J 2N8
Faculty Concert Series: Leaving Kansas Compositions by Dorothy de Val
Faculty member, pianist and musicologist Dorothy de Val reflects on her twenty years at York with a lighthearted program of original songs and instrumental music.
Dorothy de Val, piano
Paula Arciniega, mezzo soprano
Susanna McCleary, soprano
Anne Lederman, fiddle
Kye Marshall, cello
Patricia Wait, clarinet
Barbara Ackerman, flute
Dorothy de Val is a musicologist and pianist whose research interests include Scots Gaelic song, the first English folksong revival, pianos and pianism, and Haydn reception in England. Particular research interests include early 20th-century collectors and arrangers of folksong, particularly Broadwood and Grainger, and collectors of Gaelic song (Tolmie, Broadwood, Murray and Kennedy-Fraser).
Dr. de Val is the author of In Search of Song: The Life and Times of Lucy Broadwood, published by Ashgate in July 2011. She is a contributor to the Oxford Dictionary of National Biography and many music reference works including The Haydn Companion, and is a regular reviewer for the journal Music and Letters. With Patricia Debly of Brock University she organized a conference on Haydn in 2009, sponsored by York University, SSHRC and The Wirth Institute. She is also a member of the North American British Music Studies Association, whose conference she organized at York in 2008.
Professor de Val’s research extends into the field of dance, focusing on English social dance and Morris dance (especially Mary Neal and the Esperance Club). She co-organized a conference at York on English country dance in the summer of 2010, and performs regularly as pianist for English country dances with her group, Playford’s Pleasure, with a focus on the life and times of Jane Austen. Her most recent project involves performing music from Jane Austen’s own collection, featuring composers such as Pleyel, Sterkel, Storace and Kotzwara.
Dr. de Val has taught at the Royal Academy of Music (London), Oxford Brookes University and the University of Oxford, and served as assistant curator of musical instruments at the Royal College of Music (London). She joined York University’s Department of Music in 1999 and served as Associate Dean in the Faculty of Fine Arts from 2004 to 2007, and as Graduate Program Director in Dance from 2009 to 2011.
The York University Wind Symphony, under the direction of William Thomas, joins forces with the York University Symphony Orchestra, conducted by Interim Director’s David Lum and Mark Skazinetsky, in a preview concert featuring selected works from their upcoming end-of-term concerts.
The York University Chamber Choir
Craig Garnham, guest conductor
Edward Moroney, piano
The choir will be performing works by Palestrina, Schütz, Monteverdi, Mendelssohn and Britten.
Ticket Admission:$15 adults | $10 students & seniors
Box Office: Purchase tickets online or call 416-736-5888
ENSEMBLE JENG YI is a Korean performing arts ensemble based in Toronto. Since their formation in 1998, the group has entertained audiences with their exciting repertoire of original compositions and traditional pieces.Building upon the conventions of Korean performing arts, Ensemble Jeng Yi has created a variety of innovative productions including intimate mu
sic recitals, site-specific works, interactive performances for young audiences, and ambitious multi-disciplinary productions. Not just talented drummers, the members are also accomplished performers of the ribbon-hat dance in which each member spins a ribboned-hat called the sangmo–all while dancing and drumming.
Joo Hyung Kim, Kayagum
Joo Hyung Kim is an accomplished performer of the Kayagum,the traditional Korean zither. Born in Korea, she began her traditional Korean music training at the age of six. She majored in traditional Korean music at Kyung Buk University, and completed her M.A. in traditional music at Sook Myung University. She immigrated to Canada in 2005 and has been an active performer and composer.
Admission is free.