Events

Sep
30
Mon
The Absence of – an exhibition by Esther Kim and Alaa Asim
Sep 30 – Oct 10 all-day

[caption id="attachment_101856" align="aligncenter" width="468"]Adversity has touched me, and You are The Most Merciful of the merciful. 2019 Alaa Asim 78” x 36” Plaster, acetate Adversity has touched me, and You are The Most Merciful of the merciful. 2019 Alaa Asim 78” x 36” Plaster, acetate[/caption]

The Absence of features sculpture, mixed media and pyrography by 4th year Visual Art Studio students Esther Kim and Alaa Asim.

The exhibition will showcase fragmented and abstracted bodies of work, raising questions and drawing connections on the subjectivity and objectivity of both body and spirit. By creating a tangible permanence through material, the absent body becomes solidified through the dissection of knowledge, memories, and history. The Absence of is bounded by the concepts of time and the regenerative qualities of life and death.

Esther Kim is a Canadian born Korean artist, currently in her fifth year at York University majoring in Visual Arts (studio). Her current artistic practice involves metal fabrication, mould making, wood working and foundry. Through exploring the concepts of the body, she utilizes her practices and the contrast in medium and scale to evoke an ambiguity in a tangible form. @emjkim
Alaa Asim is a Canadian born artist that works with mixed-mediums to create works of art in the areas of sculpture and abstract painting. The complexities in architecture and design of contemporary and urban spaces have always inspired her artistic processes and the critical approaches of how important the relationships between the artist and spaces are; she believes that the spaces we encounter are important just as the artworks one produces. She is currently completing her last year of the Honors BFA Visual Art & Art History program at York University. @hennabyalaa

[caption id="attachment_101874" align="aligncenter" width="312"]Backbone, Esther Kim 2019, 24” x 12” x 88.5’’, Steel Backbone, Esther Kim 2019, 24” x 12” x 88.5’’, Steel[/caption]

Gallery Hours:

Monday to Friday, 9am – 4pm

Closing reception:

Wed. Oct 9th 7 – 10pm

Admission is free and all are welcome.

 

X – a collaborative exhibition by Kristen Elizabeth Donoghue-Stanford and Rebecca Garcia Echeverria
Sep 30 – Oct 10 all-day

X is a collaborative exhibition by  Kristen Elizabeth Donoghue-Stanford and Rebecca Garcia Echeverria focused on the theme of femininity and the subversion of the stereotypes that limit it.

Through the exploration of their different and similar experiences, Donoghue-Stanford and Garcia propose to create an abstracted feminine environment that calls upon a shifting perspective of femininity and redefining what it means to exist in the everyday as a woman. The exhibition will exist as a lament to the experiences of women, but also as an expression of gratitude.

(Left) Untitled - Photo Series (Installation View) by Rebecca Garcia Echeverria. (Right) Handheld (Front Detailing), Bronze, 9in x 5 in x 0.3 in by Kristen Elizabeth Donoghue-Stanford

Gallery Hours:

Monday-Thursday, 9am – 4:00pm

Reception Oct 1, 6-8pm

Free admission

Oct
21
Mon
affect / effect – an exhibition of paintings and prints by Vaiva Slapsys
Oct 21 – Oct 31 all-day

[caption id="attachment_101678" align="aligncenter" width="768"]Apart, together, Vaiva Slapsys, 2018, 73x83, acrylic and thread on raw canvas Apart, together, Vaiva Slapsys, 2018, 73×83, acrylic and thread on raw canvas[/caption]

affect / effect… features large scale abstract paintings and prints by 4th year Visual Art Studio student Vaiva Slapsys.

Everything that we do as people has an effect on someone else, and everything that we come into contact with affects us is some way.  Our emotions are constantly shifting, able to be flipped one way or another in the blink of an eye, delicate and forever changing, easy to manipulate, affected by all that is around us.  Although we all experience the unpredictability of our emotions as a normal part of our every day lives, we are often asked to put these feelings away as invalid or unimportant, and rarely do we have the opportunity to explore how we are feeling and truly reflect on it.

My work focuses on these emotional effects that we express with our bodies, and how that expression can, in turn, affect another.  Using large motions with brushes, my hands, other various assorted tools, and pouring methods, my canvas is stained and marked in immediate ways that reflect the emotions that I feel while I work, and invite viewers to connect with these emotions and reflect on what it brings up for them.  The size of the work envelops the viewer, allowing them to wholly sit with what they feel and to give them the opportunity to reflect.  My work also includes intricate detail through the use of sewing, embroidery and detail painting work that asks the viewer to come closer, to pay attention, and to really allow themselves to be engrossed by what they see and what they feel.

The show will also include print media that complements the large abstract paintings.  My print-making focuses on the effect that a place or time can have on memory.  Nostalgic screen prints filled with photographic imagery, whimsical colours and both representational and abstract shapes, bring us back to a specific time or place in our memories and ask viewers to reflect on what kinds of feelings are being harboured there.

Gallery Hours:
Monday to Friday, 9am – 4pm

Admission is free and all are welcome.

 

The State of Not Knowing – works on paper by Ernesto Hidalgo and Deanna Gisborne
Oct 21 – Oct 31 all-day

[caption id="attachment_101732" align="aligncenter" width="600"]My Body by Deana Gisborne (2019), 43’ x 39.5’, Graphite on Paper My Body by Deana Gisborne (2019), 43’ x 39.5’, Graphite on Paper[/caption]

The State of Not Knowing is an exhibition works on paper by Ernesto Hidalgo (print media) and Deanna Gisborne (painting & drawing).

Artist statement: Ultimately, a search for our complicated identities is at the heart of our work, whether this is manifested by obscuring the body, multiplying form, collapsing into a writhing vortex or creating dream-like worlds where animals and humans intersect. We try to reconcile contradictions in ourselves, made possible through the unbounded language of art. All of this probing of the self-conscious mind is expressed in bodies, trying from all angles to reach that same conclusion and achieve resolution: Who am I, and how can I grasp this ever-evolving self?  This question is, of course, unanswerable, but we continue this cycle indefinitely, because we are human, and we are curious.

 

Gallery Hours:

Monday-Thursday, 9am – 4:00pm

Free admission

[caption id="attachment_101733" align="aligncenter" width="600"]Felt, by Ernest Hidalgo (2019) Screen print on rag paper; mounted on foamcore. 20” x 28” Felt, by Ernest Hidalgo (2019) Screen print on rag paper; mounted on foamcore. 20” x 28”[/caption]

Nov
4
Mon
all from one – an exhibition of large scale found object paintings by Catherine Hois
Nov 4 – Nov 14 all-day

Mother Nature’s Hand, by Catherine Hois, 2018, 4ft.5”x 6ft.1”, found object painting

all from one is an exhibition of large scale found object paintings by 4th year visual art studio student Catherine Hois exploring the artist’s fascination with the everlasting connection of all living things to the earth.

Artist Statement: This group of works represents my belief that we are protected and taken care of by the earth, because we are connected to the earth as living beings.  Why are humans provided everything we need to survive and live a healthy life on earth? Is it coincidence? I believe that is it not. All species on this planet are genetically connected; we are a part of the harmony and flow of life, not apart from it as superior beings, and all atoms that make up life are in constantly rearranging from one living thing to another. Humans are organisms that consist of many functions; we ingest food, absorb nutrients, and excrete waste, we have senses, we have memories, we get sick when we are poisoned, along with many other functions. I think of Mother Nature; life itself as one organism with many functions as well; similar to our own bodies. My inspiration sprouts from these themes and phrases: Intertwine, interconnected, “circle of life,” and “All from one.”

My art works connect to these concepts with the materials I use, the colours, the gestural brush strokes, and the overall unity that I aim for in every piece. The found objects I use are all recycled materials, for example plastic bags, water bottles, plastic containers, old toys, old Christmas decorations, egg cartons, old Tupperware, broken instruments (the list goes on and on). My idea was not only to be less wasteful, but to bring life to the items that would have gone into the trash and disguise “garbage” as lively works of art. In creating these works, I tried to be as environmentally friendly as possible, from using empty paint containers, paint rags, coffee cups, and even snack wrappers; all waste that I produced throughout my painting process.

Gallery Hours:
Monday to Friday, 9am – 4pm

Admission is free and all are welcome.

 

Lifelines (Hilda) – solo sculpture and time based art show by Kristen Elizabeth Donoghue-Stanford
Nov 4 – Nov 14 all-day

[caption id="attachment_101740" align="aligncenter" width="700"]Detail from A Lament, by Kristen Elizabeth Donoghue-Stanford, 2019, Acrylic Yarn, 15ft x 5ft x 10ft Detail from A Lament, by Kristen Elizabeth Donoghue-Stanford, 2019, Acrylic Yarn, 15ft x 5ft x 10ft[/caption]

Lifelines (Hilda) is a solo sculpture and time based art installation by Kristen Elizabeth Donoghue-Stanford focused on the theme of lamentation and mourning of someone who is no longer present.

Artist statement: The exhibition will focus around ideas of life, death, loss, and remembrance, interplaying with one another. 87 knitted tubes in neutral colours will be suspended within the gallery space, arranged to create guided pathways and a knitted canvass for video projection.

The installation will be curated in order to showcase a metaphorical image of the lifelines of a particular life; that of a woman named Hilda, whom the footage collected belonged to. 87 knitted tubes will be used within the installation showcasing the number of years Hilda lived until she passed away on January 6th, 2019. The video shows Hilda and her family throughout several years of their lives and will be played on loop throughout the exhibition. A slight distortion will be used in order to hide or blur certain images within the video frame, as well as the projection onto the knitwork will add its own distortion. This is meant to symbolize the memories we don’t always get to keep with us, even when someone has left us.  As one of Hilda’s favourite pastimes and a skill that she passed onto the next generation of her family, the knitwork could not more perfectly summarize the complicated, yet beautiful framework of a life. In this installation we experience the feelings of remembrance and loss and face the concepts of life and death as we witness the lifelines of somebody who is no longer with us through the process of lamenting.  It opens the possibility for reflection and the ability to express gratitude towards such a life.

Gallery Hours:

Monday-Thursday, 9am – 4:00pm

Free admission

Reception: Thursday, November 14, 2019 from 5:30 p.m. – 7:30 p.m.

CineSiege 2019: A Juried Showcase of York Film
Nov 4 @ 7:00 pm – 10:30 pm

Catch a rising wave of electrifying film talent!

Now in its 17th year, CineSiege presents a collection of short films – riveting fiction, cutting-edge alternative works and provocative documentaries – selected by leading lights of Canadian film and media culture.

The films selected for CineSiege 2019 were chosen from a shortlist, culled from 186 productions made last year.

The nominees were reviewed by five jurors: Maya Bankovici, Franci Duran, Stuart Hands, Adina Pintilie and Ravi Srinivasan.

Jurors will be in attendance at CineSiege to introduce the winning films and explain why they were selected.

CineSiege is made possible through the generous support of

Cinespace Toronto   Paradise Theatre


After Party

Immediately following screening (approx. 10:30pm)
The Monarch Tavern
12 Clinton St, Toronto, ON M6J 2N8

Nov
18
Mon
Visual Art Fundamentals: Concept, Creativity and Production group exhibition
Nov 18 – Nov 27 all-day

 

[caption id="attachment_101693" align="aligncenter" width="800"]Photograph of the 2018 Fundamentals Group Exhibition Photograph of the 2018 Fundamentals Group Exhibition[/caption]

The Fundamentals group exhibition showcases work by first year Visual Art Studio students in the VISA 1010 6.0-Art Fundamentals: Concept, Creativity and Production. Art Fundamentals introduces students to the visual arts studios, faculty and a spectrum of production methods addressing two dimensional, three dimensional and the element of time in art making. An established theme provides students with a starting point for research, conceptualization and the exploration of fundamental processes as a means of visualizing their creative ideas.

Gallery Hours: Monday to Friday, 9am – 4pm

Reception: Monday, November 25, 12:00-1:30pm

Jan
11
Sat
NEXT | WAVE
Jan 11 @ 1:00 pm – 3:00 pm

NEXT | WAVE

Please join us for a group exhibition featuring the work of second-year MFA students and first-year PhD students from the Visual Arts Graduate Program.

The exhibition, entitled NEXT | WAVE opens on Saturday, January 11, 1:00 – 3:00 p.m. at the Varley Art Gallery of Markham (see akimbo NEXT | WAVE | Akimbo). There will also be a panel discussion moderated by curator Yan Wu around the notions of migration, identities and contemporary art practices at 1:30 pm.

This is an important event where our candidates exhibit their work, conduct panel discussions and lead workshops within an established museum gallery context. Please join us at the opening to discover the work and meet the artists.

The opening will include a panel discussion from 1:30 – 2:00 p.m. and light refreshments from 2:00 – 3:00 p.m.

Free admission. Please RSVP at varleyartgallery.eventbrite.ca 

Dan Tapper, Studio visit, Fractured Terrain.
Photo: Anik Glaude

Jan
20
Mon
Painting Area Group Exhibition
Jan 20 – Jan 30 all-day

 

[caption id="attachment_99893" align="aligncenter" width="650"]Artwork from 'Painting and Print Media' Exhibition at the Gales Gallery Photo of the 2017 Painting Group Show Photo by Helen Olcott[/caption]

Group show featuring paintings by upper-level students in the Department of Visual Art & Art History.

Gallery Hours
Monday – Thursday, 9am-4:00pm

Free admission

Jan
22
Wed
Wavelengths: Group Exhibition
Jan 22 – Jan 30 all-day

WAVELENGTHS

“Wavelengths” serves as a celebration of the achievements of our graduating painters of tomorrow. It is a coming together of a diverse array of artistic styles and sensibilities. Most of all, it is a clear illustration that though we may take our creative impulses in different directions, we are always on the same wavelength; that of innovation, expression, and community.

“Wavelengths” is running from January 22nd-30th in the Gales Gallery.

GALES GALLERY 
Location: 105 Accolade West Building, York University
Gallery Hours
Monday – Thursday, 9am-4:00pm

Free admission

Wavelengths: Featured Artists
Emilie Lowe
Deanna Gisborne
Liz Tsui
Alicia Takach
Lin Zhu
Rui Cai
Liying Yang
Mello Fang
Sarah Kowalchuk
Alexandra McDougall
Deledda Wong
Yu Yin
Alexa Everest
Li Huang
Alissa Condotta
Cassandra Mostbacher
John Lawler
Sharon Massey
Miri Rozenvain
Cassandra Panaro
Olivia Bagnoli
Julian Gullone
Azka Batool
Kanisha Dabreo

 

Feb
24
Mon
Sculpture and Drawing Area Exhibition
Feb 24 – Mar 5 all-day

 

[caption id="attachment_101547" align="alignleft" width="480"]photo of the 2019 Sculpture and Drawing Area exhibition photo of the 2019 Sculpture and Drawing Area exhibition[/caption]

A group show featuring sculpture and drawings by upper-level students in the Department of Visual Art & Art History.

Gallery Hours
Monday – Thursday, 9am-4:00pm

Free admission

Mar
4
Wed
Coalition: Visual Art & Art History Open House
Mar 4 @ 2:00 pm – 8:00 pm

The Department of Visual Art & Art History presents Coalition, an open house exhibition featuring hundreds of works in print media, drawing, painting, photography and sculpture created by the rising young talent in the department.

Admission is free and all are welcome | Map and Directions 


Location
: Joan and Martin Goldfarb Centre for Fine Arts & the Gales Gallery
Installation: 12:30-2:00pm
Showcase: 2:00-8:00pm
Awards Ceremony: 7:00-8:00pm | Gales Gallery: 105 Accolade West Building
De-installation: 8:00pm

 

 

 

 

 

 

 

 

 

Mar
6
Fri
NOISE: York University Department of Visual Art & Art History Senior Studio Exhibition at Gallery 1313
Mar 6 – Mar 14 all-day

York University Department of Visual Arts and Art History
presents
NOISE
Senior Studio Exhibition

‘Noise’ is an exhibition of work by the two senior studio classes, Installation & Painting, in the Department of Visual Art & Art History, York University. Bringing together the work of about fifty students who work in a diversity of contemporary styles & media, the exhibition is both a culmination of their BFA and a launching pad to their futures.

Date: March 6-14, 2020
Opening Reception: Saturday, March 7, 2:00-5:00pm
Gallery Hours: Wednesday – Sunday, 1-6pm
Address: 1313 Queen Street West, Toronto, ON
Free Admission

Gallery 1313 website: g1313.org
Gallery 1313 phone: 416-536-6778

 

 

Mar
12
Thu
Hollywood Old and New: ReDesigns for Student Engagement in eLearning with Gillian Helfield & Dan Becker
Mar 12 @ 12:00 pm – 1:30 pm

Hollywood Old and New: ReDesigns for Student Engagement in eLearning with Gillian Helfield & Dan Becker
Thursday, March 12
12:00 – 1:30 PM
AMPD Faculty Lounge (GCFA 214)
Free
RSVP

Join us for this lunchtime talk about the evolution of “Hollywood Old and New”, a fully online class that offers students an understanding of Hollywood film genres from a historical and social perspective. In this talk, the presenters will discuss their pedagogical strategies for the new course redesign to facilitate student engagement in a large format class. This course is offered by the Department Cinema and Media Arts in the School of the Arts, Media, Performance & Design. 

Gillian Helfield lectures at York University, in Cinema and Media Studies in AMPD, Humanities in LAPS, and Canadian Studies at Glendon College. Though she has specialized in Canadian and Quebec Cinemas, other areas of academic interest include Genre Studies, Cultural Studies, Women’s Cinema, National Cinemas, Diasporic and Exilic Cinemas, Middle Eastern Cinemas, and Rural Cinemas. In 2006, her book Representing the Rural: Space Place and Identity, in Films About the Land, was published by Wayne State University Press.

In collaboration with AMPD, Gillian has developed and redesigned two large-enrolment online film courses, which have earned recognition from international eLearning associations (IELA) and the Teaching Commons at York University (York’s nomination for the STLHE Brightspace /D2L Innovation Award). In 2017, she received the AMPD eLearning Teaching Award.

Dan Becker is the Educational Designer and Developer for the Faculty of Education. He works extensively with instructors to operationalize educational theory and current research within courses that utilize technology. Dan develops learning experiences that engage students, build communities of inquiry and employ meaningful assessment strategies, while avoiding excessive effort on the part of the instructor. His approach of simplicity and depth has produced a variety of courses that are enjoyed by instructors and students alike.